A Quote by Marc Davis
Throughout my career, when I was finished with the drawing for one film I would go up to the story department and help develop sequences. Sometimes these were for scenes that I would animate later on.
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I don't have the story finished and ready when we start work on a film. I usually don't have the time. So the story develops when I start drawing storyboards. I never know where the story will go but I just keeping working on the film as it develops. It's a dangerous way to make an animation film and I would like it to be different, but unfortunately, that's the way I work and everyone else is kind of forced to subject themselves to it.
In the old days when I first was coming up, you would turn up on set in the morning with your coffee, script, and hangover and you would figure out what you were going to do with the day and how you were going to play the scenes. You would rehearse and then invite the crew in to watch the actors go through the scenes. The actors would go away to makeup and costume and the director and the DP would work out how they were going to cover what the actors had just done.
While most students were trying to draw one beautiful finished piece, I would be in the background drawing dozens of studies at different angles to use later.
I think I succeeded as a writer because I did not come out of an English department. I used to write in the chemistry department. And I wrote some good stuff. If I had been in the English department, the prof would have looked at my short stories, congratulated me on my talent, and then showed me how Joyce or Hemingway handled the same elements of the short story. The prof would have placed me in competition with the greatest writers of all time, and that would have ended my writing career.
Everything that goes into making a film, when it's the finished product, us as the actors look at the film and go: "Oh man, OK, on that day we were doing whatever the circumstances were on that day...." So much goes into it and it's all so incredibly calculated that the behind-the-scenes chemistry that exists between all of us is sometimes forgotten - you can't act that. We've all come together and held hands through each of the processes that I've been a part of.
Sometimes you read a script, and you just think, 'Wow, I would love to go and tell that story, and I don't even care what happens to the film, I would just love that experience.' And often, that mentality makes a great film.
If I could take back all the mistakes that I made throughout my career, I would have had a perfect career. I would have missed no shots. I would have made no turnovers. I would have went right instead of going left when I was supposed to, every game.
If I were elected President, the first thing I would do would be to set up a Department of Restoring the Bill of Rights. I would have 10,000 people working there.
If I were a buyer today in one of the American department stores, I would go with extremes-the most beautiful, the more expensive, the more eccentric. I would take risks. The worst thing would be to buy only the little black dress. You know why? Because everyone has it already. I would go with a purple dress, something different
Sometimes it wasn't even when we were knocking on doors, it would be, the phone would ring and somebody would say, "God told me to do this," and it would be exactly the perfect timing to help us with the next step of the filmmaking.
I practiced drawing all the time and became very interested in it. If I was at a meeting that wasn't getting anywhere - like the one where Carl Rogers came to Caltech to discuss with us whether Caltech should develop a psychology department - I would draw the other people.
It's a social media time, where you have YouTube and everything it's kind of like you see my career grow up on camera. But a lot of the things that you would see from artists would be behind the scenes that nobody would know about before, now it's all on display.
It depends on how my football career goes, but when I am finished, I would love to go the NFL and be a kicker. Even if I got to play just one game, it is something I would like to do.
We tried so hard. We were always trying to help each other. But not because we were helpless. He needed to get things for me, just as I needed to get things for him. It gave us purpose. Sometimes I would ask him for something that I did not even want, just to let him get it for me. We spent our days trying to help each other help each other. I would get his slippers. He would make my tea. I would turn up the heat so he could turn up the air conditioner so I could turn up the heat.
In 'Uncharted,' we do the scenes the same way you would do a film or television show. The motion capture - the performance-capture process - is what makes such a difference for this franchise. So I don't approach it any differently. The other actors and I go in and rehearse scenes together, and then we go in the next day and perform.
So, when directors come up to me and ask if they should just narrate my role, I would say no and insist on knowing the whole story. It would give me a better idea of what I'm going to be a part of because when I look back at my career later on in life, nobody is going to remember my screen time.
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