A Quote by Marc Davis

Yes, the first job I had at the studio was Snow White. I don't like the term particularly, but I got stuck with the human characters. They just didn't have that many people who could draw humans.
The truth is, there are probably eight more Snow White scripts floating around out there. And once one Snow White script got hot, other people started pulling out their Snow White scripts.
The truth is, there are probably eight more 'Snow White' scripts floating around out there. And once one 'Snow White' script got hot, other people started pulling out their 'Snow White' scripts.
There is one god, greatest among gods and men, who bears no similarity to humans either in shape or thought... but humans believe that the gods are born like themselves, and that the gods wear clothes and have bodies like humans and speak in the same way... but if cows and horses or lions had hands or could draw with the hands and manufacture the things humans can make, then horses would draw the forms of gods like horses, cows like cows, and they would make the gods' bodies resemble those which each kind of animal had itself.
When I got the script to this movie, The Good Girl, I read it in an hour. The writer, Mike White, has an ability to create characters that are so creepy and dysfunctional and human, with this duality that makes people feel empathy for them at the same time. My first thought was 'Was this sent to the right person?' I called my agent. 'Are they sure? Let's say yes before they realize they've sent it to the wrong person!'
How many mothers have emerged from a family trip to a Disney movie and been obliged to explain the facts of death to their sobbing young? A conservative estimate: the tens of millions, since the studio's first animated feature, 'Snow White and the Seven Dwarfs' premiered in 1937.
When I first went to Pittsburgh, I had never been there before, and we hadn't even decided to shoot there yet. I just went to see the location of Michael Chabon's novel. Once there, I became aware that Pittsburgh is a "wonder boy," in the narrow sense of the term, just as the human characters are.
After 'Tina Snow' dropped, I had so many performances and so many appearances, and I'm in the studio all the time.
R-4 got stuck on the First Law. "Can anyone really protect a human being from all harm whatever?" it thought. "No. It is inevitable that all humans must be injured, contract illnesses and ultimately die. The future can only be averted for humans who are already dead. Ergo..." It took a dozen cops to subdue R-4, after his blood orgy in a department store (83 dead, none injured).
I have never had a studio, and I do not understand shutting oneself up in a room. To draw, yes; to paint, no.
I had this vision of shooting a great white in the studio with all the edge lights I use for movie posters. I knew that I couldn't bring the great white to the studio, so I had to bring the studio to the great white.
I always had an affinity for older people. I had a job delivering newspapers, and one place I had to go was an old people's home. Some people would introduce you to their neighbors as if you were a nephew or grandson. They didn't get many visitors, so they acted like you were coming to see them. And that stuck with me for a long time.
The lyric abstrusities of Auden ring mystically down the circular canals of my ear and it begins to look like snow. The good gray conservative obliterating snow. Smoothing (in one white lacy euphemism after another) out all the black bleak angular unangelic nauseous ugliness of the blasted sterile world: dry buds, shrunken stone houses, dead vertical moving people all all all go under the great white beguiling wave. And come out transformed. Lose yourself in a numb dumb snow-daubed lattice of crystal and come out pure with the white virginal veneer you never had.
The beauty of when you watch good television or films is that, yes, you may have a multi-cultural cast but those roles could be anybody - they could be white, they could be black. To show the world that we have more in common than we have different with each other is to me the ultimate goal of all of that. It does help unite in people's mind the thought that people are the same. Yes, there's going to be cultural differences, but for the most part, we are all in the same gang as human beings.
My first job was actually as a social worker. And then later, I got my PhD in anthropology. And I've always been interested in humans as well as primates. We are all kind of have the same emotions, the same goals and lives really. But to me, when I first got to Madagascar I realized that the lemurs lives are very closely related to what the humans are doing; partially because they've got both looking for natural resources. And if we can make some way that both humans and lemurs can live together peaceably and happily, that would be my goal for Madagascar.
I just got asked by another journalist 'Are you a feminist?' and I was just like... Is there a strange thing at the moment where you have to come out as a feminist? I've been asked if I'm a feminist so many times recently, and I'm just like 'Yes, yes, for God's sake, yes! Is there something that I give off that says I'm not?'
I feel my fuller-bodied characters are all in the independent films I do, and in the studio productions, I have to work harder to dimensionalize the characters. And that's certainly part of the job description of an actor - that's what you're supposed to do - but you have to work harder at it in the characters that I've encountered in studio films.
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