A Quote by Marc E. Platt
You can sing if you have a great voice, but to connect that instrument to the text and connect it to the subtext, what lies underneath and the emotion, is indeed a rare talent.
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My dream is that people will find a way back home, into their bodies, to connect with the earth, to connect with each other, to connect with the poor, to connect with the broken, to connect with the needy, to connect with people calling out all around us, to connect with the beauty, poetry, the wildness.
You know I think so many of us live outside our bodies. My dream is that people will find a way back home, into their bodies, to connect with the earth, to connect with each other, to connect with the poor, to connect with the broken, to connect with the needy, to connect with people calling out all around us, to connect with the beauty, poetry, the wildness.
Unless you connect to the text, the audience won't be able to connect with you.
The text-book is rare that stimulates its reader to ask, Why is this so? Or, How does this connect with what has been read elsewhere?
Music is a lot more powerful than anyone gives it credit for. I can sing something right now and make you feel something that you would not feel if I said it. If somebody can sing and connect to people just through voice, just through sonics, capturing an emotion, that's a direct string to somebody's soul.
I've always wanted to sing. I don't think I have a great voice, but I just think that I get the emotion. It's very authentic. Whatever emotion I'm feeling, I can sing it, and you can feel it.
You have to be able to connect and re-connect to the passionate things that got you to a certain point in the first place. If you can connect and continue to hold onto that passion, that's the key thing that will help you get through tough times.
In acting class they tell you that you have to be real, connect with the people, connect with your partner. The same as politics, you have to connect to the people.
I guess I'm attracted to people who are singing about love or life, and they have a particular passion that I can connect with. There are people I can tell are amazing, but I can't connect for some reason. It doesn't really make sense why you connect with someone or you don't.
The text for me is the musical score. I'm the instrument. My voice is the instrument. My voice is articulating the sounds which are coming through the imaginings and visitations in my head, and I'm making these sounds but I've selected them from an ocean of sound.
It's quite fun to mess with the human voice. It's quite special in the sense that the voice is the #1 instrument that we can connect with; it doesn't sound too alien. I think that's the key is to find the line between sounding human and sounding robotic. That's an area that I like to explore a lot.
I feel like I can't write something that has a real emotion in it if I can't connect to that emotion.
I think I sing with more emotion but with less technical perfection. I prefer to sing with my natural voice and use my instinct - it's easier for me to give emotion.
When I was younger, bands helped me connect to part of my humanity; bands that had nothing to do with anything political helped to form me. There's a correlation in that: If people can connect to music, maybe they can connect to each other.
Indeed, the great paradox of the writer's life is how much time he spends alone trying to connect with other people.
Switch to piano! No. Really, if you like an instrument that sings, play the saxophone. At its best it's like the human voice. Of course, it would be best if you could actually sing with your own voice. The saxophone is an imperfect instrument, especially the tenor and soprano, as far as intonation goes. Therefore, the challenge is to sing on an imperfect instrument or 'voice' that is outside of your body. I love that challenge and have for over forty-five years. As far as playing jazz, no other art form, other than conversation, can give the satisfaction of spontaneous interaction.
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