A Quote by Marc Guggenheim
I love doing meta-humor, as long as it doesn't become too distracting and it's subtle.
Related Quotes
On career day as a young journalist, I scraped up my money and went to this big conference for young journalists, and the great feedback I got was that I would not or should not become an anchor because my eyelashes were too long and too distracting.
I love straight-face comedy or relatively subtle comedy. And then I turn around and I find myself doing very broad comedy but it's all fun and you have to keep your sense of humor and not take yourself seriously.
If you want to feel humor too exquisite and subtle for translation, sit invisibly among a gang of Negro workers.
Love moderately. Long love doth so. Too swift arrives as tardy as too slow. *Love each other in moderation. That is the key to long-lasting love. Too fast is as bad as too slow.*
This all-pervading power is the power of divine love. It thinks. It organizes. It plans. It loves. It is the one which is the subtle of the ether, you can call it. It is the subtle of the matter. It is the subtle of your emotions. It is the subtle of your mental power. It is the subtle of your evolutionary power, but all integrated and coordinated in complete synchronization.
A picador is the guy in a bullfight who helps make sure the matador doesn't get killed by distracting the bull. That's what TV writing is. You're just distracting the bull long enough to stick around for the next set of commercials.
Those who have been too long at their labor, who have drunk too long
at the cup of voluptuousness, who feel they have become temporarily
inhumane, who are tormented by their families, who find life sad and
love ephemeral......they should all eat chocolate and they will be
comforted.
The soul of man is one of those subtle and evanescent substances that, as long as they remain still, the organ of sight does not remark; it must become agitated to become visible.
I find it terribly distracting in movies when people do accents, I must say, unless it's terribly serious and the story is rooted in South Africa and you're doing a South African accent. But in period movies I think nothing can be more distracting than people doing accents.
It's continuously humbling to work hard, you know? As long as you've got a good work ethic and a sense of humor, I don't think anybody can become too much of an egoist under those circumstances.
One thing a girl has to have is a good sense of a humor. I'm a really laid back guy who can find humor in just about anything, so my girlfriend would need to be a little like that too. She doesn't have to be a big jokester, but to me finding humor in things and not taking too much too seriously is a way of enjoying life, so that is important to me.
Somebody who opposes Trump is wound so tight, they're not funny people anyway, that they don't get his humor. They really believe when he tells these jokes that that's dead serious stuff. There's not enough laughter on the left. Even their comedians are angry. Their comedians, the humor they shoot for is all personal put-down kind of humor where it used to not be that way. But Trump's humor, even the stuff that's not subtle, they miss, they take it literally and are frightened to death by it. It's incredible.
I was glad I wasn't in love, that I wasn't happy with the world. I like being at odds with everything. People in love often become edgy, dangerous. They lose their sense of perspective. They lose their sense of humor. They become nervous, psychotic bores. They even become killers.
Writing is a sufficiently lonely and mysterious pastime that I don't begrudge myself a talisman or two, so long as they don't become ways of distracting myself from the glum inescapability of actual work.
Nature will not let us stay in any one place for too long. She will let us stay just long enough to gather the experience necessary to the unfolding and advancement of the soul. This is a wise provision, for should we stay there too long, we would become too set, too rigid, too inflexible. Nature demands change in order that we may advance.
My paintings are loosely based on meta narratives. The pictures float in and out of pictorial genres. Still life's become personified, portraits become events, and landscapes become constructions. I embrace the area between which the subject is composed and decomposing, formed and formless, inanimate and alive.
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