A Quote by Marc Guggenheim

One of the things I do well - I think, anyway - is combining different tones. — © Marc Guggenheim
One of the things I do well - I think, anyway - is combining different tones.
I think there are a lot of really funny things in 'The Descendants,' but there're a lot of different tones in that movie, in the same way that 'Transparent' has a lot of different tones.
Stylistically, things are becoming cooler. People are trying different things and combining genres.
In acting, you get to explore such an artistic side with different characters to research and learn and explore different things inside yourself and I do that anyway, so I might as well be doing something that I already do, as in a second nature to me, on film.
The beautiful thing about art is that there's always somewhere to go. There's always something new to explore and, as an artist, that's just what I want to do. I wanna keep exploring new things with different directors with different producers and different styles and tones.
I think people stop themselves from doing the things they want to do. I just think you never know how long you're going to be around so you might as well do the things that are intriguing. Nobody really cares anyway so you have to do what makes you happy.
As with editing, I think my strength as a writer is structure. It's not a skill that's much discussed when we discuss fiction, or not as much as language or character development anyway, but it's the first thing I determine before I begin writing - not just books, but anything. I think I know how to pace a narrative well. I think I'm aware of repetition, that I try to create different kinds of sentences as often as I can. Those are all things I learned from magazine editing.
Maybe I should say that memory interests me a great deal, because I think we all tell stories of our lives to ourselves as well as to other people. Well, women do, anyway. Women do this a lot. And I think when men get older, they do this too, but maybe in slightly different terms.
If you know what you do well and stick to that, I think you can appeal to the different generations. You can strike a chord with them. I've got the brain of a teenager anyway.
To be honest, I'm probably more of a comedy person, actually. I really enjoy the comedy stuff, and I've got some things I'll be working on that I think are just different ways of combining genres in comedy and drama and action.
Drama is the most difficult of all arts. In it two things are to be satisfied - first, the ears, and second, the eyes. To paint a scene, if one thing be painted, it is easy enough; but to paint different things and yet to keep up the central interest is very difficult. Another difficult thing is stage - management, that is, combining different things in such a manner as to keep the central interest intact.
As an actor, I'm always looking for scripts that I relate to, in some way, and things that are interesting and different. If it's combining romance and action, I'm not missing out on anything. I get to do it all.
I think with romantic comedies it's a lot about tone, because different romantic comedies have different tones.
Scientific discoveries and innovation come from combining different existing technologies and different perspectives in a unique way.
I think hitting is more a mentality than a philosophy. A philosophy is somebody telling you the way they think it should be. Well, different people believe in different things. My thing is this: Be ready to hit.
Europe isn't something connected by the Euro. Every little dimension of Europe is so hugely different, and I think America is different in its states as well, so I never really think of things in big blocks, in terms of other artists.
I understand that words can mean different things to different people, and, further, that people can have different relationships with complex abstract entities such as Buddhism. To me, anyway, the entity in my life that conflicts with my creativity is Buddhism.
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