A Quote by Marc Jacobs
When you see a fashion show, you see those seven minutes of what was six months of tedious work of, you know, going up an inch and down an inch, changing it from one shade of red to another shade of red. So it's the same as any creative process. The result is what we see, but the process is really labor intensive and work.
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I can see it, hear it, feel it, taste it - but I can never be on the inside of it with you. I cannot even be sure whether I really know what it is like. Is it 'like' my own? Or incomparable? Just as I can never know if what you see at any given moment is exactly the same as what I see. We look at a colour. We both call it red. But it is only because we have been taught to call it by that name. There is no guarantee - not ever - that we see it in the same way, that your red is my red.
Red carpet is always fun, but you're never going to see me on the street or in the grocery store in 6-inch heels. But I am always going to have big, fabulous hair and makeup.
Any team that has Shade as their leader is bound to have a pretty directionless quality. But when Cyborg asks Shade to gather the Secret Seven together and help him stop the war between Wonder Woman and Aquaman, Shade agrees - albeit reluctantly.
There are varying degrees of shade. There is funny shade, warning shade, tea shade, and mean girl shade.
When you see Major League Baseball putting academies in other countries, obviously that throws up a red flag. You wonder why they ain't going up in our neighborhood. Bottom line, what I see, I talk about... I see it over and over. If anybody can show me I'm wrong, then show me.
Sometimes, as I feel a door or an exit point in my work is closing, I'll try to create an opening so as not to stifle the creative process, which I see as a process that's never-ending.
Oh say, can you see, it's really such a mess. Every inch of earth is a fighting nest. Giant pencial and lipstick tube shaped things, continue to rain and cause scream and pain, and the arctic stains from silver blue to bloody red.
Red lipstick has always been a classic. You have seen the red lip on people from Marilyn Monroe to Marilyn Manson. The right shade of red can turn a boring look into a bold, eye-catching statement.
If humanity can exist for another million years, everybody's going to be a light shade of yellow-brown-red-tan.
As an actor, you see a sliver of how the show is made, but to see the actual writing process and the re-writing process and the casting process and art direction and set design - all of this is happening in a very intense period.
I don't see myself going back to blonde outside of work though. I really like the red.
Bet you don't know why the sun sets red. You see, light is made up of lots of colors. And out of all those colors, red is the one that travels the farthest.
If I decide to make a coat red in the show, it's not just red, I think: is it communist red? Is it cherry cordial? Is it ruby red? Or is it apple red? Or the big red balloon red?
I love when people are coming up and they're working hard and you can see that they're really focused on the process to their music. I really dig that. As a musician, it's nice to see people who really care about the process.
If Pizza sizes were given in area not diameter, you'd see instantly that a 7 inch is less than half the size of a 10 inch pie
It's really not that hard. If I do a Tonight Show, it's six or seven minutes. If I do a concert, it's 90 minutes. If I do an interview, that's 15 minutes. So by the end of the day I've done three hours worth of work.
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