A Quote by Marc Jacobs

I don't think there is just one Louis Vuitton woman. That is why, for the fall/winter 2011 show, I loved the idea of lots of different characters - a wife, a mistress, a girlfriend - stepping out of the row of hotel elevators.
If I'm creating a new superhero, it shouldn't be any different from other superheroes in terms of the qualities. Obviously the personality can be different. I think traditionally in comics women have tended to be a girlfriend or the daughter of whoever, whether it's even Batgirl as Gordon's daughter, or whatever. There is that relation of the hero, you know, like Superman's cousin, Supergirl. And that's great. It's fantastic to have a link to these amazing characters, but I kind of like the idea of things being something in their own right, which is why I've always loved Wonder Woman.
The reason I collaborate with Louis Vuitton is that Louis Vuitton is number one in the world, and I am honored to work with them.
Why would a man need both a wife and a mistress? A smart man would seek out and fall in love with a woman who can play both.
St. Louis is a good example of a vibrant city. Having stayed in a hotel in 2011 overlooking Cardinals stadium when they won the World Series, their fans definitely show up loud and proud.
When my sister and I were kids, swimming down in Charleston, there was this pizza parlor that had this old Dixieland band play, and I just loved Louis Armstrong and the sound of his voice, and I got up there with the band and started singing Louis Armstrong songs when I was a kid. I have no idea why, but I did it and I loved it.
I know I've been called the Louis Vuitton Don ... I've been called a lot of names ... Due to what happened, so severely, when the red shoes hit the runway, I was forced to change my name to Martin Louis Vuitton the King, Jr. Address me as such.
I like very much Louis Vuitton. My wife loves it too.
My first big career purchase when I was, like, 17 was a Louis Vuitton laptop bag. Now, seeing the exhibit [Louis Vuitton's "Series 3" exhibition in London], it's exciting because I feel like I kind of know it. It's weird - it's almost like something you grow up with and you just know a little bit about it. Now that I'm immersed in it, it's kind of insane.
I think I'm up for not trying to play a literary heroine. I think I'd rather just do someone that has just been created in a script, rather than in a book that everyone knows and loves. The difficulty with it and the reason these characters are so loved is that every woman and man that reads it understands it in a different way. They're so relatable, but different aspects will be drawn from different people.
At the end of the day I have many answers for it. It has to do with my mom, who was an extraordinary woman, and a great feminist. It has to do with the people in my life. It has to do with a lot of different things, but -- I don't know! Because I'm not just writing from the female characters for other people. I have a desire to see them in our culture -- that was not met for most of my childhood. Except occasionally by James Cameron. [From the 2011 San Diego Comic Con, in response to being asked why he writes strong female characters.]
When death comes, it's just like winter. We don't say, "There ought not to be winter." That the winter season, when the leaves fall and the snow comes, is some kind of defeat, something which we should hold out against. No. Winter is part of the natural course of events. No winter, no summer. No cold, no heat.
I think the idea, first and foremost, is to understand that people may label these characters as villains, but at the end of the day I have to fall in love with the characters that I play. For me, they have to be real characters with real objectives, and driving forces. So they're all different.
I take the same Timberland holdall wherever I go, stuffed with all my gear. Or a Louis Vuitton weekender my wife bought me. I'd never have a bag that you wheel; they get in the way.
Most of the time actresses are just left to play the actor's wife or girlfriend so there is not much to do. 'Chalo Dilli' was a refreshing change which was different and that's why I decided to work in it.
You just have to be clever about who you work with. Had I done Gap or H&M, there's no way Louis Vuitton would have wanted to work with me. So you hold out for the big ones.
The Louis Vuitton woman is more about a quality - a quality within some women that needs to come forward, to be noticed and recognised.
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