A Quote by Marc Maron
We live in an age where people are like, "I'd love to catch up. Maybe text me later? But don't call because I don't really listen to my messages. But if you text me..." We've displaced interaction into sound bites and untethered phrases and sentences that come up on the phone as Twitter feed.
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Now we're e-mailing and tweeting and texting so much, a phone call comes as a fresh surprise. I get text messages on my cell phone all day long, and it warbles to alert me that someone has sent me a message on Facebook or a reply or direct message on Twitter, but it rarely ever rings.
The person sending ironic text messages has no idea that their voice does not sound so great in text. There's no dry sense of humor in a text. It comes off as a little bit shitty.
I got so many emails and text messages, my phone blew up because it couldn't handle everybody. It's like almost being at your own funeral because of the way the headline read.
I see people putting text messages on the phone or computer and I think, 'Why don't you just call?'
With Orff it is text, text, text - the music always subordinate. Not so with me. In 'Magnificat,' the text is important, but in some places I'm writing just music and not caring about text. Sometimes I'm using extremely complicated polyphony where the text is completely buried. So no, I am not another Orff, and I'm not primitive.
The other day I got a text from a boy, but it wasn't hot. I mean, if you're going to text me every day, you haven't seen me for months and you're trying to seduce me, you'd better spice up that text and make it more exciting than 'How was your day? I hope you're having a beautiful one.' Sadly, I haven't been doing a lot of kissing lately.
These 'free' applications ask for permission to read your emails, your text messages, listen to your phone calls, record video from your phone. Why else would someone spend millions developing an application which they then give away? Kind-hearted, maybe? Get real.
Whether you're Godard or Almodovar or Scorsese, it's text, text, text. Everything begins with the text, and this is a source of great anguish to me. So please let cinema get on with doing what it does best, which is expressing ideas in visual terms.
I don't really send text messages. I rarely carry my phone. I occasionally check messages at the end of the night, but I don't carry it around.
You know, people come up to me saying, 'Watching you gave me the courage to come out to my parents,' or, 'I watched you and I decided to start doing drag,' or, people will just come up and say, 'It's you.' Like they can't even form sentences because they're crying because they're seeing someone they admired on television.
The text illustrates the pictures - it provides a connective tissue for me. I usually refine the text last, partly because pictures are harder to do, so it's easier to edit words - I use text as grout in between the tiles of the pictures.
A wiretap allows government agents to collect, listen to, read, rifle through and store emails, snail mail, phone calls, text messages, photographs, bank records - you name it.
I had never considered using a hashtag anywhere other than on Twitter, but now I'm inspired. Text messages have always seemed a little flat to me, so the murmuring Greek chorus of a hashtag might be a perfect way to liven them up and give them a bit of dimension.
Avoid theatrical flourishes - the phrases that sound so damned good that they stand up and beg to be recognized as "good writing," and therefore must be struck from the text.
And if I may, call your mom, everybody. I've told this [to], like, a billion people, or so. Call your mom, call your dad. If you're lucky enough to have a parent or two alive on this planet, call 'em. Don't text. Don't email. Call them on the phone. Tell 'em you love 'em, and thank them, and listen to them for as long as they want to talk to you. Thank you. Thank you, Mom and Dad.
Our amended Constitution is the lodestar for our aspirations. Like every text worth reading, it is not crystalline. The phrasing is broad and the limitations of its provisions are not clearly marked. Its majestic generalities and ennobling pronouncements are both luminous and obscure. This ambiguity of course calls forth interpretation, the interaction of reader and text. The encounter with the Constitutional text has been, in many senses, my life's work.
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