A Quote by Marc Maron
I'm a guy that after having experience in radio and stuff, if I can trust the people I'm working with, I get a real thrill with working with other people who are good at what they do.
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John Abraham is a really good guy. We get along very well. It's a nice thing when you have a great tuning with your co-stars, as it makes the working experience all the better. Then you look forward to working with each other every day when you are shooting.
Collaboration is such a thrill when you're working with someone you really respect. When it's just one person working alone you get a singular view of their world, and that can be great, too. But when you have different people working together with different aesthetics, different techniques, and different mediums, you get something bigger than both of them.
As far as working with Kanye and Solange, that was amazing. After 'Swing Lo Magellan', I needed a change. Getting to work in that capacity, writing for other people and working for other people as a writer and as a person who's not representing it as the front person or whatever - it's such a different perspective you can get.
Fellow workers and peasants, this is the socialist and democratic revolution of the working people, with the working people, and for the working people. And for this revolution of the working people, by the working people, and for the working people we are prepared to give our lives.
Every time I meet people working in radio, I'm a little embarrassed. It's all pre-programmed, rigidly formatted stuff. Time and time again, when I talk to jocks, they say how jealous they are of the freedom we have on WKRP. I sometimes have to explain to them that it's not a real radio station.
When you constantly working, working, you don't really get to appreciate the fans and people loving your stuff.
For me, life is about experiencing many new things and working with good people, working on good projects, and in general, just having any kind of job.
I think if you read the story as bad guy turns good guy, then clearly it is a cliché. But my experience, when I spent three years working with young people in the townships on issues principally around HIV/AIDS, is that people are usually neither entirely good or bad. They are usually variations of both. Just because someone is a carjacker doesn't mean they are a ruthless cold-blooded murderer.
Having people around you that are honest with you, and having a team around you that can actually track and communicate where things are working and where they're not working, is really an invaluable asset to an artist's career. I just see it time and again, people who have no clue about that stuff. It's frustrating, and I see the frustration for them. It's a weird thing being an artist, trying to navigate the music business with little to no help.
That's the thing: I'm not opposed to working with people. I'm just not one of these people that feels the need to hop around the industry and get this guy's beat and get this guy's hook.
That's just like America. It's made up of lots of different people. We're all different colors, different ages, we do different jobs -- but it takes all of us black people, white people, brown people, men and women, young and old, working in the factories, working in the fields, working in offices, working in stores -- it takes a lot of different kinds of people to get the job done for America.
I sent a lot of the e-mails out to venues and tried to get shows and tried to get people interested in it. It can be a tough thing, because you know these people at venues are getting e-mails like that every day, but I think just my experience in working in running a radio station.
I'm always working my own thing. A few times a week - I try to not go too crazy - I'm working with some other artist. But I'm constantly working my own stuff, and my own stuff seems to come in little bursts.
When you're working opposite Halle Berry, you're going to get a lot. So you have to give a lot. That said, what I've found striking in the past few days is that people are aware of a good chemistry that exists between us on screen. If that's so, it's due to the fact that she and I have a real liking for each other in real life and a real mutual respect.
At a horror movie, you can see other people dealing with the scary things. They can bolster you. You can think, 'Okay, if that guy can deal with it, I can deal with it.' There are lessons to be learned there, as opposed to having a frivolous popcorn experience. I think some of this stuff is good for your soul.
So as long as I can do something like this kids show or I can go off and film polar bears or I can do some radio and stuff, and sort of keep other strings in my bow working, then it's good.
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