A Quote by Marc Maron
My cats, the ones that I have, were feral when I found them so the relationship that I have with them 10 years in is very mutual, earned, and evolved over time. It was never an easy thing. I like that they have a certain distance and have their own sense of selves.
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You can tame feral cats, but you are never gonna get them like a cat that's been socialized at a very young age.
I do feel there is a certain amount of distance and apathy that's created when you feel like there's a distance between you and the other people. So it's very easy to... when you have an app that sets it up where you very clearly swipe somebody's face off of your screen because you don't like the way they look, you're asking people to not appeal to their best selves. You're asking people to be brutal.
One thing I savor about what I do is the relationships that I've earned over the years. Becky Herbst and I have been working together for 17 years. I've seen how everything has evolved over the years, and I've seen all three of her kids being born. Because it's personal, I would have to say I'd like to see him with Elizabeth.
Back when we were Neanderthals or whatever, we evolved to think along tribal lines. Survival was based on this idea of who are we and who are the others who will come and take our resources. I think it's an animal and a human thing that we all see in terms of us vs. them, and race is a very easy way to separate who is us and who is them.
It's an adventure. I mean I spent a lot of time in the Himalayas and over the years have come to know them very well. I would say most important is the first sense you have in a place like that, and that is the sense of being on an adventure.
I've had a lot of glamour come my way in the last 10 years - you know, movie stars and mansions and red carpets and trips to Europe and crazy stuff I never would have imagined - and I look at them as if I'm the bartender in the corner of the room. They've never gone into my psyche. I look at them with distance, and wonder.
The first encounter was when the Vikings came across 10 Indians taking naps under their overturned canoes - and the Vikings killed them. That did not set up a very good mutual relationship.
Growing up, I had a very normal relationship with my brother and sister. But, over time, they became my best friends, and now I hang out with them all the time. I'm very close with them.
David's mother would often tell him stories were alive. They weren't alive in the way people were alive,or even dogs or cats. People were alive whether you chose to notice them or not, while dogs tended to make you notice them if they decided that you weren't paying enough attention. Cats, meanwhile, were very good at pretending people didn't exist at all when it suited them.
I communicate much better with cats, usually. I know them and their body language - as my own cats know mine very well. Cats are adept at reading subtle signals.
I grew up with horses when I was a kid in Argentina. I like them. I respect them. I'm careful around them. You never know what they're going to do. They're endlessly interesting. I've had some good acting partners that were horses over the years.
My children came out as individuals in their own right. They were not my products. They had their own characters and were very strong-minded. I gave them a lot of freedom when they were still very young. The one thing they got from me is morals. They would never betray anyone. They are really good people.
When I was in middle school, the librarian there was secretary for a couple of groups of professional writers. She introduced me to Ray Bradbury and Richard Matheson, and I became very friendly with them over a period of two years. Both of them were very generous with their time, guidance and advice.
I've never been the type of photographer to live with people I photograph. You know, shoot heroin with them, that kind of thing. I respect those photographers that work that way. But part of my personality is a certain amount of distance, and part of my attraction to the medium of photography is this distance where you're in the world, but you're removed from it.
I was very careful to cast guys who were very good-looking and very fit and who had a certain sense of privilege about them, because with that sense of privilege comes contempt.
People are actually very good at being communists in the sense that they instantly abandon capitalism, that they love these relationships of mutual aid, because the astonishing thing about disasters is that people are often weirdly joyous in them, because they've recovered a sense of agency, a sense of power, etc.
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