A Quote by Marc Maron
When you actually meet the devil and he offers you a deal most artists eventually negotiate.
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The artist is the lowest form of life on the rung of the ladder. The publishers are usually businessmen who deal with businessmen. They deal with promotional people. They deal with financial people. They deal with accountants. They deal with people who work on higher levels. They deal with tax people, but have absolutely no interest in artists, in individual artists, especially very young artists.
You're looking at me as though I'm weird. My god! Are you so out of touch with most of America, most of which believes in the devil? I mean, Jesus Christ believed in the devil! It's in the Gospels! You travel in circles that are so, so removed from mainstream America that you are appalled that anybody would believe in the devil! Most of mankind has believed in the devil, for all of history. Many more intelligent people than you or me have believed in the devil.
When you study our greatest artists, you will find that they give us a key to understand how to deal with each other, and that our bloodlines are intertwined. It's not hyphenated America. That there is an America, and it is expressed in those arts. It gives us a key to figure out how to negotiate with each other, and it tells us actually who we are.
Fame is often called a deal with the devil. Reality show fame is a really bad deal with the devil.
Both men and women react negatively when women negotiate on their own behalf. A man can just negotiate: "I have a better offer. That's not enough to make my family's ends meet." No one feels bad about it. But when a woman does that, there's a backlash.
If you're going to talk about the devil, at some point you've got to meet the devil.
President [Ronald] Reagan told me he would negotiate and negotiate and negotiate with the Soviets, and I believed him.
I've had offers to sign a record deal, but the people I've talked to have wanted to package me and have me meet with songwriters who've written stuff for Whitney Houston, that sort of thing. That's not at all my style.
Deal with the Devil if the Devil has a constituency - and don't complain about the heat.
In my music career, I never was interested in working and writing and creating songs based on what kind of rewards I could receive in return - a hit song, per se, is what most contemporary artists have to deal with when they deal with a label.
Nigel Farage said he would do a deal with the devil to get Brexit over the line; the Conservative party is very far from being the devil in this.
In all practices and traditions of freedom, we find the heart's task to be quite simple. Life offers us just what it offers, and our task is to bow to it, to meet it with understanding and compassion.
Growing up I wasn’t sure I was female. As I grew further I wanted to be a lesbian but I wasn’t sure I would meet even the most basic membership criteria (though eventually I created a ‘femme dyke’ persona that worked well for over fifteen years). It wasn’t until my early twenties that I was sure of at least one thing: I was an artist. Quite an accomplishment for anyone assigned female at birth in a culture that calls only male artists ‘great’.
Sold my soul to Satan. I've been dancing with the devil. So when you get to hell you can say you know me. I'm easily attracted by the dark side. Devil keep following. For that fortune, some sold their soul to Satan. Was on track for the first two years, then i let the Devil steer. Now i got to mask my tears, but allow me to re-introduce myself, my name is Cole: Born sinner, opposite of a winner. But the Devil run the T.V. so the demons in him, I'm in trouble did a deal with the Devil but now I'm pleading with him like give me my soul. I ain't ever letting go but the devil don't play fair.
I think business has to be stupider. I want to do really straightforward, stupid business - just talk to me like a 4-year-old. And I refuse to negotiate. I do not negotiate. I can collaborate. But I'm an artist, so as soon as you negotiate, you're being compromised.
While I was still going to embrace social media, I knew I had to do things that nobody else was doing. I decided I had to meet as many people as I could - face to face. While most artists would email galleries, I would show up in the lobby. Instead of liking an art show or exhibition, I would go there and meet everyone. And while most would send a magazine a press kit, I go and meet the editor. This notion of face to face contact became my mantra.
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