A Quote by Marc Martel

I was born in '76, but I didn't get into rock until the early '90s when the grunge stuff started coming out. — © Marc Martel
I was born in '76, but I didn't get into rock until the early '90s when the grunge stuff started coming out.
This was early '90s and in New York hip-hop was coming on really strong; that was the sort of urban folk music that was almost threatening to eclipse rock music and indie rock music in terms of popularity, which it has certainly gone on to do. But you know, this is the end of the 1980s, beginning of the '90s. The whole independent label thing has really evolved to this incredible point from the early '80s when we started, and there wasn't one record label at all, until a couple people started forming these small labels.
One thing that got me started on it was the jean jacket. It's an item that could make you believe you're in the 50s or punk-rock 70s or grunge 90s. I was really focused on timelessness, and I think music is very timeless.
In the early '90s I was floating somewhere between the Brat Pack/Andrew McCarthy/James Spader/Pretty In Pink kind of stuff and the alterna-pop look, crossed with a very distinct grunge sensibility.
In the early '90s, when those little art films started coming out, we were introduced to Quentin Tarantino and guys like that, and independent cinema was something that everyone wanted to be a part of.
We were born ahead of our time. Don't forget that the riot-grrl scene had a lot to do with making The Slits a legend, and that didn't happen until the early '90s. We couldn't get together before then, because the legend hadn't been built yet. In the 2000s, we've become bigger than life in that way. It's become really important for The Slits to be here now, but idealistically, we should have done it in the '90s.
I started trading around 1979, fresh out of college. In the early '90s, I started guesting for major news media.
I love all the '90s kind of grunge, and I love classic rock: That's where the spectrum lies.
Passyunk Productions is our film & tv production company. The name comes from a street in Philly, Passyunk Avenue, where the concept of The Roots was born, as Ahmir and I started out busking on the corner of 5th & Passyunk back in the early '90s.
You can hear a real shift. You listen to the late 80s recordings, you'll hear us engaging with the audience, dealing with the issues surrounding punk shows at the time. Back then, people thought you had to be a skinhead and beat the crap out of everybody when you went to a punk show. Come the early 90s, when you had this so-called grunge stuff and when videos became so dominant, you had this totally huge shift in the culture of shows.
When I began in the late '90s, I felt quite lonely. We were coming out of the grunge era; it was the time of Corinne Day, The Face, the height of the YBAs, where models had to be "real," on real locations with no lighting. I rebelled against the grungeys - I didn't find the faux naturalism to be representative!
In my early days, I sang rock stuff, but the career didn't kick until '67.
The '90s were a party, I mean definitely maybe not for the grunge movement, but people were partying harder in the '90s than they were in the '80s. The '90s was Ecstasy, the '80s was yuppies. There was that whole Ecstasy culture. People were having a pretty good time in the '90s.
The main stuff I like is from the late '60s to the early '90s. That's the stuff I love. It's the James Cameron's and the Paul Verhoven stuff. I guess when I was younger, 'Star Wars' had an influence.
Hillbilly Rock' was the song that opened the door and gave me a reason to get a bus and a band and cowboy clothes to go out there and figure it out in front of everybody. And the hits started coming.
All the skateboarding brands that I was into had graphic T-shirts. In the '90s, there were different styles that went along with the different influences in skateboarding, whether that be hip-hop or rock and roll and grunge. And that's what I was into, so I was following all that.
GIS started on mainframe computers; we could get one map every five to 10 hours, and if we made a mistake, it could take longer. In the early '90s, when people started buying PCs, we migrated to desktop software.
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