A Quote by Marc Platt

The themes and ideas embedded in 'Into the Woods' always spoke to me. — © Marc Platt
The themes and ideas embedded in 'Into the Woods' always spoke to me.
What I think of as 'freakonomics' is mostly storytelling around an idea - not a theme but an idea. I like ideas much more than themes. Themes are boring. Themes are, 'Wool is back,' but ideas are, 'Why is wool back?'
While many of my musicals deal with big themes and ideas, I don't intentionally go looking to write shows like that. A story will interest me, and then somewhere along the way, I discover that hidden inside are these epic themes.
For, as it is written in the book of the Prophets: 'And the angel that spoke in me, said to me...' He does not say, 'Spoke to me' but 'Spoke in me'.
If somebody asks me about the themes of something I'm working on, I never have any idea what the themes are. . . . Somebody tells me the themes later. I sort of try to avoid developing themes. I want to just keep it a little bit more abstract. But then, what ends up happening is, they say, 'Well, I see a lot here that you did before, and it's connected to this other movie you did,' and . . . that almost seems like something I don't quite choose. It chooses me.
I tend to describe recurring themes as being part of a writer's DNA - something so deeply embedded in us that even we don't notice it until we've written three or four books.
Ideas do have consequences in history, yet not because those ideas are inherently truthful or obviously correct but rather because of the way they are embedded in very powerful institutions, networks, interests, and symbols.
For me, take Tiger Woods. I always thought he was great, but I never truly understood how good he was until I had the chance to go to Tiger Woods Golf Camp. He taught me how to swing and was hitting the ball, and this dude was unreal.
I'm always thinking about the next record. I've got like 20 different themes and then I'll scratch the themes. It's a learning process.
Of course it is of no use to direct our steps to the woods, if they do not carry us thither. I am alarmed when it happens that I have walked a mile into the woods bodily, without getting there in spirit.... What business have I in the woods, if I am thinking of something out of the woods?
You know how we always said 'Devil May Cry 5''s themes were about photorealism and the uncanny valley? That was a lie. The real themes centered around setbacks and awakenings.
I kind of lost my sense of organized religion and became more spiritual from the experience. I would walk in the woods and to the sand dunes and the lake every day. That spoke to me more than getting up at six and the morning and saying some prayers. That had nothing to do with religion to me.
There are themes that somehow stir me and that I find very interesting. They're themes that deal with leadership, the nature of bravery and courage, and how to define those.
I don't want to deal with big, grand themes in my stories; art has nothing to do with themes. When you deal with themes, you are not creating; you are lecturing.
Straight-away the ideas flow in upon me, directly from God, and not only do I see distinct themes in my mind's eye, but they are clothed in the right forms, harmonies, and orchestration.
I'm always writing something. I've got so much stuff, I don't know what to do with it. Some of it will be Strokes, some of it will be I don't know what - stuff for pop singers. TV themes. I've got a jar stuffed with songs, all these ideas that are just me humming into a recording device.
The most dangerous ideas are not those that challenge the status quo. The most dangerous ideas are those so embedded in the status quo, so wrapped in a cloud of inevitability, that we forget they are ideas at all.
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