A Quote by Marc Platt
As a producer, it's your job to bang on the table and convince studio heads why great movies should be made.
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Bang! Bang! Bang! Sorry Mr. Yipes, sir, she won't budge!' Put your back into it, man, give it all you've got!' Bang! Bang! Bang!
Bang bang bang. I understand now why so many horror movies use that device-the mysterious knock on the door-because it has the weight of a nightmare. You don't know what's out there, yet you know you'll open it. You'll think what I think: No one bad ever knocks.
The job of a leader, the job of a governor, the job of a president is to get the people in the room and to bang enough heads together and rub enough arms and cajole enough to have them put the country's and the state's greater interests ahead of their own personal interests.
I've pitched movies to all of the major studio heads in my time.
Ampeg made incredible guitar heads in the early Nineties and then stopped. And I don't know why. The one we used had a nice clean, warm sound, and it blended well with the other amps that were in the studio.
The job of a leader, the job of a governor, the job of a president, is to get the people in the room and bang enough heads together and rub enough arms and cajole enough to have them put the country and the state's greater interest ahead of their own personal partisan interest. That's what we did in New Jersey and that's the model for America.
I wish I was making movies back in the days when John Ford made movies and you were a director under contract to a studio. John Ford had years when he made three movies in a year.
I am ready to talk today. I have been in a great many councils, but I am no wiser. We are all sprung from a woman, although we are unlike in many things. We can not be made over again. You are as you were made, and as you were made you can remain. We are just as we were made by the Great Spirit, and you can not change us ; then why should children of one mother and one father quarrel ? — why should one try to cheat the other ? I do not believe that the Great Spirit Chief gave one kind of men the right to tell another kind of men what they must do.
Television is a great job for a writer in the way that movies used to be, way before my time. Back when writers in Hollywood were on staff or under contract at any given studio and you'd write movie scripts and then the movies would get made within a few weeks, such that you could be a working writer in the movie business back in the '30s and '40s and '50s and have a hand in writing five or six movies a year that actually got produced. The only thing remotely like that in the 21st century here in Hollywood is working in the TV business.
When you do a first movie, you're contractually supposed to do the second one and then you don't do it, you become an executive producer. That's why there are a ton of directors who have executive producer credits on other movies.
The producer should decide what kind of music is being made, what it's going to sound like - all of it: the why, when, and how.
I don't think of myself as a television producer. Obviously, that's crazy. Because I should. That's what I do. But I don't actually see that as my job. It's why my business cards say 'storyteller.'
There's a lot of discussion about whether you should be a good live band or a good studio band. I think you can use the studio to make a great "studio record" and not necessarily have to reproduce exactly that on stage, but still be a great "live band." Having said that, if what you're going for is just the raw capture of your live sound, then that's cool, too - go for it! I enjoy working in the studio, though, and while I try to get near to an approximation of what's going on onstage, it's not my first priority usually.
I think of myself as making independent films within the studio system. Yes, I've made movies with significantly larger budgets, and I've also made movies with smaller budgets.
As a producer or financier, you are going to go where you get the best bang for your buck.
Richard Donner made great movies. Seminal movies. The Academy, though, and we have to be careful here, should recognize popular films. Popular films are what make it all work. There was a time when popular movies were commercial movies, and they were good movies, and they had to be good movies. There was no segregation between good independent films and popular movies.
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