A Quote by Marc Platt

Navigating the studio system has its own challenges, and, as a producer, you want to be astute and clever. — © Marc Platt
Navigating the studio system has its own challenges, and, as a producer, you want to be astute and clever.
The producer can put something together, package it, oversee it, give input. I'm the kind of producer that likes to take a back seat and let the director run with it. If he needs me, I'm there for him. As a director, I like to have the producer there with me. As a producer, I don't want to be there because I happen to be a director first and foremost, I don't want to "that guy."
I want to direct more often. The job of a producer brings its own benefit as you start to see the simplicity of film making. But yes there is a constant battle between the director and producer in me.
Truly, the challenges we face are not Democratic challenges or Republican challenges. In fact, they are not political challenges at all; they are fiscal challenges, and educational challenges, and the challenges of figuring out how to take care of each other...
Truly, the challenges we face are not Democratic challenges or Republican challenges. In fact, they are not political challenges at all; they are fiscal challenges, and educational challenges, and the challenges of figuring out how to take care of each other.
When artists connect to a system because they want to make a living, it's their own choice. In fashion, designers don't have that choice. I know everybody mentions Azzedine Alaïa, but he's been going for a long time in the system - showing to people, selling to clients - and I think it's admirable how he's transformed it into his own system in a way, but it's still a system.
I play a lot of instruments. I write all my own music. I spend hours and hours a day in the studio. I'm a producer. I'm a writer.
I love the studio system. Love that studio system and all their money. They're great; I think they're fabulous . You know, what it is right now is I feel like I'm still learning as a filmmaker, I'm still starting out.
We have a producer who is incredibly supportive and 'wants' us to have babies, if that is our choice, so that is all due to our show's producer, Imogen Banks. I don't really feel like I have lot of challenges as a female actor in that kind of way.
An exploration of the challenges Korea faces in transforming its economy from a government-directed, low-cost producer to an innovative world economic power based on its own scientific and technological development.
I don't call myself an 'independent filmmaker'. Either a concept works within a studio system or it doesn't. If it does then you should try to get a studio budget so that you can use all of the tools they have to get what you want. If it doesn't then you look elsewhere, or make it yourself.
I . . . am always half afraid of finding a clever novel too clever--& of finding my own story & my own people all forestalled.
I was the only person at Univision who had complete creative control of my own show, by contract. They didn't like that. I was the executive producer; I owned the studio where we taped. I decided who went on my show and who didn't.
Navigating the healthcare system for children with special health needs can be daunting for families.
I'm very critiqueful of my own stuff, and I kick everybody out the studio when I'm singing, no one is in the studio, it's just me and the engineers, no one else in the studio when I'm doing my thing.
Increasing cyber-physical system complexity brings security challenges as well as privacy challenges.
Every time we go into the studio and use a different engineer or producer I try to look, listen and learn their approach. That has helped with the gear I look for to use live and in the studio.
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