A Quote by Marc Platt
I appreciate actors who work very hard to get at the truth of the character they're playing. That speaks to me, and I try to protect that process because I value the focus and intention behind it.
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To me, the psychology behind the character is critical. So I work very hard to get into the mind of the man that I'm going to be playing, because number one, I want to understand why he's doing what he's doing. It's essential, it's absolutely essential.
I always appreciate hard work, and every actor has a different process. I appreciate focus.
Not that I'm in the stage of my career where they're offering me parts in 'The Revenant,' but I try very hard to go through the audition process because I feel like I learn quite a lot about the character and the people I'm going to work with.
The dream would be to work with my two favorite actors, Daniel Day Lewis and Cate Blanchett. Or playing Joaquin Phoenix's brother in a film. Basically anything where I get to act opposite actors like these; ones who bring a certain caliber to their work and literally morph into the character they are playing.
Responsibility has to be shared between all the players. It's more about doing your job and working hard. I try not to focus on me. My focus is on the team. I just work hard to try and improve.
If you're doing television, you get to be a character for a long time, and the cast around you becomes like family. You get attached to playing that one character, and it's hard leaving them behind.
All the knowledge that I get, all the access that I get, I try to pass that down. And not open a door, and close it behind me. But open a door and see how many people behind me that I can pull in with me, and start showing the value of diversity, the value of having that different perspective than yours.
Becoming the character you are playing might work for some, but for me, it doesn't. I always maintain a gap between myself and my character because if I will go so deep into it, it will get difficult for me to come back. You should work towards understanding the psyche of your character and then play it.
Some actors, and especially the younger actors, they come into the job with a lot of attention on how they behave and everything when they're not working. Sometimes that can be unfortunate because the work call is pretty intense and the preparation for it. If your focus is there, then the actual doing of the job will be fun and enjoyable. But if you're so involved in trying to be interesting and a character and everything when you're not working, it can get in the way and people get goofed up.
I wouldn't say I'm a Method actor, but I do try to focus very deeply on what character I'm playing, and everything else goes out the window. I forget about everything. I try to get everything else out of my head.
For me, the best characters are the ones that feel fully formed inside and out, so I try to have a very clear vision of exactly what they would wear, top to bottom, who they are, what their backstory is, what their family situation is, who are their friends, just creating as much of a three-dimensional character [as possible]. Because I think you could do a very broad character, but as long as there's some emotional truth to them you can get away with really crazy things.
When I get really passionate about something, the audition process is really strenuous and hard on me because I feel so much for the project, and I become so attached to it. It's hard. It's stressful because you want it so badly, and you're crafting this character that you're falling in love with.
I'm still fighting really hard to get any role I get. If it's comedy, I go for the laughs. And if it's drama, I try to tell the truth, and try to play the real stakes of whatever scenario the character's in.
Work hard and do it right. Very simple; but very effective. They are morals I got from my mum and dad. And within that are the details. Be respectful. Try and smile, try and enjoy it. They are things that I still value.
You can write ten versions of a scene, and then, on the day, discover that something in the original scene worked. It's hard on writers. Hard on actors, hard on editors, hard on me, hard on the producers, who require patience and confidence. But I can't get to the end without going through this process.
I strive for what you do find in Shakespeare's work - that there is a definite humanity and a definite character behind the writing in the sonnets, and it's very real because it's so deeply personal. I try to aspire to that in what I do.
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