A Quote by Marc Platt
The further you get up the corporate ladder, the farther you get from the actual filmmaking process.
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What I realized is that it doesn't matter how big or small your film is. The actual filmmaking process, the actual storytelling, it's still the same thing. It's still all about creating characters that you like and creating moments that get you excited or get you tense.
I don't like being told what to do and kissing you-know-what to get up the corporate ladder.
I always get so excited when I get to go to my friends at corporate offices. I am always, like, looking around. I think that's really exciting to be a part of an actual corporate office.
When you are going up the corporate ladder or the government ladder, you have to take some risk.
I get a lot of letters from people saying, 'How do I get into radio, how do I get into telly?' and I wish there was an answer, because there's no ladder. There are no parameters. You've just got to go in wherever you can, make the tea, and slowly make your way up the ladder.
People who work full-time in America should not have to live in poverty - simple as that. Too many jobs don't pay enough to get by, let alone get ahead. Too many people are finding the rungs on the ladder of opportunity further and further apart.
I might say: if the place I want to get to could only be reached by way of a ladder, I would give up trying to get there. For the place I really have to get to is a place I must already be at now. Anything that I might reach by climbing a ladder does not interest me.
If you want the best things to happen in corporate life you have to find ways to be hospitable to the unusual person. You don't get innovation as a democratic process. You almost get it as an anti-democratic process. Certainly you get it as an antithetical process, so you have to have an environment where the body of people are really amenable to change and can deal with the conflicts that arise out of change an innovation.
If you get better educated, you might yourself higher up the ladder, but the ladder will still be there.
It's funny because you know the novel process: you get the drafts, you get the galley, and then you get the galley proofs. You have opportunities to change things all along. But the further along in the process you go, the more careful you have to be in making those changes, and the smaller the changes have to be.
What's important in the filmmaking process has stayed the same. Keep it small, keep it personal, keep it authentic, work with people you like and trust. That process is much longer than the filmmaking process. The development process is a long one, so try and say something of importance.
The key to ending extreme poverty is to enable the poorest of the poor to get their foot on the ladder of development. The ladder of development hovers overhead, and the poorest of the poor are stuck beneath it. They lack the minimum amount of capital necessary to get a foothold, and therefore need a boost up to the first rung.
It seems to me that actual democracy is where all of us get to participate and it's not just a sort of a blunt little dry hump in a ballot box, but an actual penetrative process.
I love filmmaking when fate is a part of the process and you are dependent on the laws of physics and the elements to get a single moment that transports or in some way creates an illusion even for a moment. I think that is tremendous fun and what I think filmmaking is, catching lightning in a bottle.
Now I'm this far up the ladder and I've got so much farther to go with what I want to achieve with it.
I got stuck up a tree when I was about seven, and my dad had to come and get the ladder to get me down. I loved to climb all the way up to the top. I must have been a koala in my past life.
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