A Quote by Marc Platt

Even in a manuscript form, 'The Girl on the Train' sort of leapt off the pages as a contemporary suspense drama-slash-thriller. It has all the mechanics of a thriller, but at the heart of it was a great character study.
It is unlike the quintessential thriller where someone is up to something and the audience is speculating. 'Johnny Gaddaar' is the opposite of a thriller. In this case, the audience knows right from the outset what transpires and who the likely culprit is. It is a suspense caper.
Well, if you're writing a thriller, you have to have your character in mortal jeopardy on page 1 or it's not a thriller.
'Polisse' is the sort of cop thriller where people do things like angrily bang on a desktop or sweep everything off it. If it happens once, it must happen six times. But every time it did, I wanted to stand up and cheer, which I've never wanted to do for any such thriller.
Polisse' is the sort of cop thriller where people do things like angrily bang on a desktop or sweep everything off it. If it happens once, it must happen six times. But every time it did, I wanted to stand up and cheer, which I've never wanted to do for any such thriller.
Sometimes it feels as if the artist hasn't done the real work of engaging with the material. Film noir can't just play off looks and attitudes. A thriller needs a dose of genuine suspense. It does not have to be literal, but it does have to feel genuine. Otherwise the artist is just leeching off the form.
With 'House of Cards,' you really get the heart and the meat of drama - and it's a thriller!
I love thrillers. I've never made them, but I would say a really good thriller is my favorite kind of a movie. If I can get a really great thriller, you know.
He was one of the masters of the thriller and he really was one of the great signposts, because he took the spy thriller out of the gentility of the drawing room and into the back streets of Istanbul and where it all really happened, ... The Day of the Jackal.
I define a thriller as a big-stakes, multiple-viewpoint novel involving suspense, action, and mystery, in which the reader doesn't know everything but usually knows more than any single character.
I define 'social thriller' as thriller/horror movies where the ultimate villain is society.
This is not an international thriller so much as a fiercely literate attempt to subvert the thriller genre itself.
The very name of the thriller '89' suggests that there is suspense.
For me, to take a movie and travel the world and go and work with these cultures and an international cast and have this spy thriller that's not just about character but also action and suspense, they're very challenging films as a producer to make, creating stories, creating set pieces that serve this character [Ethan Hunt].
I think everything benefits from a little comedy. The worst thing to me is to see a great drama or a great thriller with no laughs.
An astonishing debut. Brilliantly conceived, masterfully written, Stuart Neville’s THE TWELVE is both a heart-pounding thriller and a stunning examination of responsibility and revenge. He is going to be a major new voice in suspense fiction.
Sound design is always critical, especially when you're doing a thriller with a lot of suspense and tension.
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