A Quote by Marc Randolph

In the years after I left Netflix, the company I co-founded, I didn't want to puff myself up or tear anyone else down. — © Marc Randolph
In the years after I left Netflix, the company I co-founded, I didn't want to puff myself up or tear anyone else down.
Basically, I left Northern Telecom after 7.5 years of being in one company after school. And then, I ended up in a series of start-ups. The first of those was a company called Sitech, and they were in local area networks.
If you think 20 years out and ask what's the most important company on the planet, it is not any company you could write down today. The most important company 20 years from now has not even been founded yet and doesn't have a name.
I basically built myself up and I'm not about to let somebody else tear me down.
I founded Netflix. I've built it steadily over 12 years now, first with DVD becoming profitable in 2002, a head-to-head ferocious battle with Blockbuster and evolving the company toward streaming.
A couple months after my heart attack, fifty-seven years after I'd given it up, I started to write again. I did it for myself alone, not for anyone else, and that was the difference. It didn't matter if I found the words, and more than that, I knew it would be impossible to find the right ones.
Lotta people don't realize when you grow up with people, you have an affinity, a relationship you don't get with anyone else. After you're twenty years old, anyone you meet after that, it's different from the people you knew before.
And now I’m looking at you,” he said, “and you’re asking me if I still want you, as if I could stop loving you. As if I would want to give up the thing that makes me stronger than anything else ever has. I never dared give much of myself to anyone before – bits of myself to the Lightwoods, to Isabelle and Alec, but it took years to do it – but, Clary, since the first time I saw you, I have belonged to you completely. I still do. If you want me.
I never want to be an artistic bully, and put myself above anyone else... or be more prestigious than anyone else. You like what you like, and you have to take that as you want it.
To most of you, your neighbor is a stranger, a guy with a barkin' dog and a high fence around him. Now you can't be a stranger to any guy that's on your own team. So tear down the fence that separates you. Tear down the fence and you'll tear down a lot of hates and prejudices. Tear down all the fences in the country and you'll really have teamwork.
What I am most proud of with the book On to the Next Dream is how I turned an intensely emotional experience into art. Anyone can run up to a rooftop, tear off their clothes, and scream about how screwed up the world is. But for the people down below, all they see is a person losing their mind. I wanted to make something that channeled that emotion in a way that elicited an empathetic response from the reader. So that after you read this book, you would want to run up to the rooftop and scream about how screwed up the world is.
Mr. Balanchine wanted me to be myself. He didn't want me to look like anyone else. I love teaching our company dancers the Balanchine ballets. I try to give them what was passed down to me and what I learned from him. They dance it so beautifully. It also keeps me close to Mr. Balanchine. He's with me every single day.
I've closed my heart down, so many seasons. I didn't want to hurt again, I didn't want to try, so I turned myself to ice and stone, said I don't need anyone, and nobody else would ever make me cry.
Like anyone else, I go up and down. You wake up some days, and you're like, "Life is great." You wake up other days, and you're like, "This is so shitty. I just want to stay in bed." Right now, I feel confident that as long as I can keep the sound moving forward, this is something I'll be doing for at least another five years.
After I left Texas and went to California, I had a hard time getting anyone to play anything that I was writing, so I had to end up playing them myself. And that's how I ended up just being a saxophone player.
Netflix is like sitting at the cool kids' table. Netflix is amazing. We're the biggest fans of not only working there but of the company in general.
Netflix is like sitting at the cool kids’ table. Netflix is amazing. We’re the biggest fans of not only working there, but of the company, in general.
This site uses cookies to ensure you get the best experience. More info...
Got it!