A Quote by Marcel Duchamp

In my day artists wanted to be outcasts, pariahs. Now they are all integrated into society — © Marcel Duchamp
In my day artists wanted to be outcasts, pariahs. Now they are all integrated into society
I don't doubt for a moment that the revolution will result in a nonracial society. I have just come from being a patient in Groote Schuur Hospital where they now have integrated wards. For the first time in my life, I have seen it working. The patients were mixed, the staff was mixed, and the medical officers were mixed; it was totally integrated. It was beautiful. White and black together. And it works. To me that is terribly exciting.
Well, Daddy, I used to believe that artists went crazy in the process of creating the beautiful works of art that kept society sane. Nowadays, though, artists make intentionally ugly art that’s only supposed to reflect society rather than inspire it. So I guess we’re all loony together now, loony rats in the shithouse of commercialism.
I've worked with jazz artists, country artists, classical artists, pop artists. I never wanted there to be categories, because when I was a kid there weren't.
In the U.S., philanthropic support from entrepreneurs is tightly integrated into the fabric of society, whether it's health care, medical research, or education. Now, slowly, China will know this.
I'm always connecting with what society would label the outcasts and the weirdos and the lost souls.
We are now integrated into American society and I don't like the word fashionable, because fashionable means that it's going to pass. It's not like that anymore.
Benny Goodman's band was integrated before baseball. Even before it was physically integrated, music was integrated. Everyone listened to Armstrong and Ellington. The 20s was called the Jazz Age. It's part of being American.
Like many nonconformist and beat generation writers, William S. Burroughs takes the outcasts of society as his theme.
Back in the day, artists could be mysterious. Now, people want to know and hear everything about you. They want to see and feel the mess that is life - and who are bigger messes than artists?
You see people who are disenfranchised elsewhere coming to Comic Con and making lifetime friends. I love seeing the outcasts of society all bonding together.
Real artists free of the tedium of money can use, now, all of society as an idea factory.
Dying well is part of living well and one day our society will surely recognize that. But I suppose we'll only know that we've reached that promised land on the day that the President of the Voluntary Euthanasia Society begins his address to the Annual General Meeting with the words: 'Tremendous news for the society. It's been our most successful year ever. So successful, indeed, that we now have no members at all.
When I was a kid, I wanted to emulate Mel Blanc, who is arguably one of the most legendary voiceover recording artists of our time. I used to watch all the cartoons where he would voice Daffy, Elmer Fudd and Porky the Pig. I knew one day I wanted to do that.
I was the Kate Moss of my day, atypical of what the public wanted, which was Brigitte Bardot. I was always tall, skinny and angular. But now, society has bought 55 years of my marketing 'Carmen,' and I'm considered beautiful. I hope that empowers older women.
Tattoos tell stories of crime and passion, punishment and regret. They express an outlaw, antiauthoritarian point of view and communicate a romantic solidarity among society's outcasts.
And, because my role in society - or any artist or poet's role - is to try to express what we all feel. Not to tell people how to feel, not as a preacher, not as a leader, but as a reflection of us all. And it's like that's the job of the artist in society, not to...they're not some alienated being living on the outskirts of town. It's fine to live on the outskirts of town, but artists must reflect what we all are. … If that's taken it too much on meself, I feel that artists are that - they're reflections of society... Mirrors.
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