A Quote by Marcel Dzama
I had always loved Joseph Cornell and wanted to do something with dioramas.
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Musical theatre is something that I always wanted to be a part of, and my first ever role on the West End as Joseph in 'Joseph And The Technicolor Dreamcoat' gave me a taste for it.
I played Joseph in 'Joseph & The Technicolor Dreamcoat,' which was a bit silly because I am a girl. I wanted to be the narrator, but I had fun with it anyway.
I saw Joseph Cornell's lyrical work for the first time at the Museum of Modern Art in the late seventies and have internalized many of his boxes.
Tessa had begun to tremble. This is what she had always wanted someone to say. What she had always, in the darkest corner of her heart, wanted Will to say. Will, the boy who loved the same books she did, the same poetry she did, who made her laugh even when she was furious. And here he was standing in front of her, telling her he loved the words of her heart, the shape of her soul. Telling her something she had never imagined anyone would ever tell her. Telling her something she would never be told again, not in this way. And not by him. And it did not matter. "It's too late", she said.
I had always wanted to be an actress. I went to summer theater camp from kindergarten on up until high school, and always had the leads in all the plays - even though they were at the YMCA - but it was something I always wanted to do.
It's not that acting was something I'd always wanted to do. I had no formal training; I'd never really imagined I'd be an actress. Business was something that had always been in my mind, but when I got into acting, I learned everything on set, and for me at that point, I wanted to excel at what I did.
A story contained in the family lore of Brigham Young's descendants illustrates the submissive nature of humility. It recounts that in a public meeting the Prophet Joseph, possibly as a test, sternly rebuked Brigham Young for something he had done or something he was supposed to have done but hadn't - the detail is unclear. When Joseph finished the rebuke, everyone in the room waited for Brigham Young's response. This powerful man, later known as the Lion of the Lord, in a voice everyone could tell was sincere, said simply and humbly, "Joseph, what do you want me to do?"
I've always been the guy that loved being scared or loved having pressure on me, because I always wanted to prove myself wrong and always wanted to prove that I could do it.
I don't think I ever had a morning where I woke up and said I'm going to be a professional poet. I know I've always loved poetry, I've always loved writing poetry and I've always loved sharing poetry. I've also always known that I wanted that to somehow be a very large part of my life and I'm very fortunate that it's such a large part of my life.
I was in chemical engineering at Cornell University. My girlfriend at the time dared me to do a play. I knew there was something I wanted, not necessarily engineering.
With 'Nostromo', Joseph Conrad said that he had wanted to write a novel about the degradation of an idea. That's what we wanted to show in the case of Dustin Hoffman's character, Bernstein.
I had always been the theater nerd at Northwestern University. I knew I wanted to do acting, but I hated the idea of being this cliche - a girl from L.A. who decides to be an actress. I wanted more than that, and I had always loved politics, so I ended up changing my major completely, and double-majoring in theater and international relations.
When I finally got my break in TV, as a staff writer, I always wanted to be at the top of that pyramid. I always wanted to make the decisions. I always wanted to be the one that was saying, "This is what the show is, and this is what the show is not. This is where we're going. It's going to be this kind of series." It was just something I always had my eye on, when I started in the business.
I had always loved horror films, so I wanted to do something in the horror genre but wanted it to be sweet and charming at the same time. Because there's a difference between watching horror, where you can leave it behind, and writing horror, where you have to live in it for months and months at a time.
I really, really wanted to write. I loved language. I loved literature. I loved reading. I never read a foreign language, I'm afraid, but I loved Flaubert. I loved the 19th-century classics. I love Thomas Hardy. I wanted to be a goof on a bus, but I wanted to write more.
I always loved action adventure. It is something I always wanted to do.
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