A Quote by Marcel Dzama
I'm always interested in seeing how other artists work. I want to know what their working patterns are. I even like to know if they listen to music when they draw or what time of day they draw, even materials they use, what they research, if they use photographs.
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I don't even know how to use a semicolon to this day; I use a comma every time. And you know what? If I email somebody and they get upset about me using a comma instead of a semicolon, that's not a person I want to work with anyway. And that's how you weed people out of your life.
If you know how to use a pencil to draw, you could draw anything. Now apply that to everything in life.
I got to draw shapes. I really like to draw funky, geometric shapes. And I got to use just different fonts and make a joke of how feminine it was, but it didn't even have people in it. To me, it was so exciting and interesting to do that for a while.
You know what I am going to say. I love you. What other men may mean when they use that expression, I cannot tell. What I mean is that I am under the influence of some tremendous attraction which I have resisted in vain, and which overmasters me. You could draw me to fire, you could draw me to water, you could draw me to the gallows, you could draw me to any death, you could draw me to anything I have most avoided, you could draw me to any exposure and disgrace. This and the confusion of my thoughts, so that I am fit for nothing, is what I mean by your being the ruin of me.
I knew that was coming. That's another stupidity. The people who use the term don't even know the meaning. They use it to refer to photographs they believe are loosely organized, or casually made, whatever you want to call it. Whatever terms you like. The fact is, when they're talking about snapshots they're talking about the family album picture, which is one of the most precisely made photographs.
I think if there's ever been a time we need music more, it's now. For our kids, it teaches you to take time, to listen, to work together, to listen to other people, and to use your brain. That's why classical music doesn't work when you throw it at people in a subway platform while they're rushing to work. Classical music is something that needs to be contemplated, you have to be completely present with an active mind that's working. It's not background music.
The women I draw all have the same sort of personality. I can't draw gentle girls; I only know how to draw ones who are strong-willed.
I am biased towards the belief that every painter must be grounded in strong and faultless drawing skills, and until one has not experimented with all styles of painting and has not comprehended their potentialities one's work is not complete. Even an abstract painter must know how to draw as well as a figurative artist. As for me, drawing has never created any problem, since I know how to draw anatomy correctly if I had to, I understand the function of muscle groups and sculpture.
Our biggest thing is, any player who's protesting will tell you that the only reason we use the anthem is because it's a platform like no other. We use it to draw attention to other issues. We've heard from many people, 'Use a different venue. Use a different platform.' Quite frankly, this is the most effective one.
I do not find illness an eminence, and I do not understand how people can use it to draw attention to themselves since the attention they draw is nearly always reluctantly given and unpleasantly carried out.
I really wanna make hip-hop music, but I don't know how to use any of the tools. Electronic, computer skills, I don't have those for engineering or making beats. I don't know how to use a sampler well. I don't know how to use any of these things.
Rather than deliberately trying to draw something, use something you yourself like and want to draw, and I think the characters that come out of that will really have their own individuality.
During my training, we had monthly assessments. It was my first time doing makeup by myself, and I did not even know how to draw on the eyebrows. Since then, I started to look for makeup related videos on YouTube and naturally became more interested.
I don't know how anybody can work at home. I know I can't. It's just... there's too much to do at the house, and now, of course, I have a daughter that's at home, and she's always a draw. I can always drop what I'm doing and go play with her, and I do that all day.
Draw the art you want to see, start the business you want to run, play the music you want to hear, write the books you want to read, build the products you want to use – do the work you want to see done.
I would often draw in my sleep. That alone made for twice the work... I couldn't use the weird stuff I drew while dozing off, so I'd end up having to draw it all over again.
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