A Quote by Marcel Marceau

Bip is the romantic and burlesque hero for our time. Bip is a modern-day Don Quixote. — © Marcel Marceau
Bip is the romantic and burlesque hero for our time. Bip is a modern-day Don Quixote.
With time, art developed Bip, my alter ego. He was not only a lion tamer or a street musician but a soldier revealing the tragedy of ephemeral life.
Don Quixote was a song for a 1969 Michael Douglas movie called Hail Hero! I wrote the title song for the film and they also used the Don Quixote one I had submitted.
Classic burlesque in the style of Gypsy which many modern burlesque troupes practice is, at its core, so playful and teasing and innocent. It's not hardcore stripping so much as letting your body tell a story; the women are playing characters and unfolding a complete narrative onstage, with beginning, middle, and end.
It's modern day. It is modern day. Some of the cars are older but it is absolutely modern day. There are modern cars in it, modern people, modern clothes, modern talk. We wrote 'Valentine' to sort of pay tribute to all the old slasher movies that we grew up with and I think that we did that.
There have been a lot of roles and scripts that have come my way but nothing that really inspired me or intrigued me like when "Burlesque" showed up at my door. Just the whole concept of burlesque, I've always been fascinated with it. I've always collected so many books about burlesque. I've been intrigued by the time that it's set in, in the 20's, 30's, 40's and so I knew it was a no brainer for me to be a part of once I met with the team.
I've been involved in burlesque for a really long time and I've always been really interested in burlesque, and I was writing musicals for different studios.
You know what my earliest memories are? Going from one burlesque town to another. My father was in burlesque.
If you have not been a villain at a certain point in time, you will never be a hero. And the day you are a hero, you may become a villain the next day.
For me, life without literature is inconceivable. I think that Don Quixote in a physical sense never existed, but Don Quixote exists more than anybody who existed in 1605. Much more. There's nobody who can compete with Don Quixote or with Hamlet. So in the end we have the reality of the book as the reality of the world and the reality of history.
If you think about Don Quixote, Don Quixote is this guy who wants to live as if he was in a medieval chivalric romance, when actually he lives in sixteenth-century Spain, which is already going through secularization, industrialization, modernization. He goes out to kill a giant, and instead he collides with this huge windmill and injures himself and also damages the windmill. I think that's a metaphor for the collisions we all have over time, as our ideas of ourselves get out of synch with the historical moment.
I was comfortable in my thirties playing the romantic partner, the hero that saves the day, or the woman who is facing a world that revolves around younger kid actors.
Just the whole concept of burlesque, I've always been fascinated with it. I've always collected so many books about burlesque.
Don Quixote is one that comes to mind in comparison to mine, in that they both involve journeys undertaken by older men. That is unusual, because generally the hero of a journey story is very young.
Modern day slavery is the great tragedy of our time and the U.S. cannot turn a blind eye to it on our soil or another nation's.
I'm not a legend or a hero, I don't slay dragons, I don't do any of the things that a real hero can. But I can make things better, one day at a time, for most of the kingdom.
Valentine's Day itself, like most holidays in the modern era, has been heavily influenced by commercialism that focuses on the appeal of romantic fantasies.
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