A Quote by Marcel Proust
Certain favourite roles are played by us so often before the public and rehearsed so carefully when we are alone that we find it easier to refer to their fictitious testimony than to that of a reality which we have almost entirely forgotten.
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Testimony is the beginning of and a prerequisite to continuing conversion. Testimony is a point of departure; it is not an ultimate destination. Strong testimony is the foundation upon which conversion is established. Testimony alone is not and will not be enough to protect us in the latter-day storm of darkness and evil in which we are living.
I had come to the conclusion a long time ago that there was no escape from the labyrinth of contradictions in which we live except by an entirely new road, unlike anything hitherto known or used by us. But where this new or forgotten road began I was unable to say. I already knew then as an undoubted fact that beyond the thin film of false reality there existed another reality from which, for some reason, something separated us. The 'miraculous' was a penetration into this unknown reality.
For members of The Church of Jesus Christ of Latter-day Saints, the term 'testimony' is a warm and familiar word in our religious expressions. It is tender and sweet. It has always a certain sacredness about it. When we talk about testimony, we refer to feelings of our heart and mind rather than an accumulation of logical, sterile facts.
Traders focus almost entirely on where to enter a trade. In reality, the entry size is often more important than the entry price
As far as the laws of mathematics refer to reality, they are not certain, and as far as they are certain, they do not refer to reality.
My favourite book - 'The Good Soldier' by Ford Madox Ford, which I have read about 20 times - is different from my favourite author, who is Iris Murdoch. I find her books exciting and unputdownable. Her characters are so carefully studied and in-depth; I love that.
He who prides himself on giving what he thinks the public wants is often creating a fictitious demand for low standards which he will then satisfy.
Art is the principal way in which the human mind has tried to remake the world in a way that makes sense. The carefully edited, slow-motion, action replay of a rugby tackle, a car crash or a sex act has more significance than the original event. Thanks to virtual reality, we will soon be moving into a world where a heightened super-reality will consist entirely of action replays, and reality will therefore be all the more rich and meaningful.
We are not, of course, optimistic about our chances of success. Some form of ecocatastrophe, if not thermonuclear war, seems almost certain to overtake us before the end of the century. (The inability to forecast exactly which one - whether plague, famine, the poisoning of the oceans, drastic climatic change, or some disaster entirely unforeseen - is hardly grounds for complacency.)
As far as the lack of hits goes, I think perhaps it's because I've played a lot of different roles and have not created a persona that the public can latch on to. I have played everything from psychopathic killers to romantic leading men, and in picking such diverse roles I have avoided typecasting.
One, which I mention several times elsewhere, is the need for patience if big profits are to be made from investment. Put another way, it is often easier to tell what will happen to the price of a stock than how much time will elapse before it happens. The other is the inherently deceptive nature of the stock market. Doing what everybody else is doing at the moment, and therefore what you have an almost irresistible urge to do, is often the wrong thing to do at all.
Searching for the self when I was entirely alone was hazardous. What if I found not so much a great emptiness as a space full of unpleasant contents, a compound of long-hidden truths, closeted, buried, forgotten. When I went looking, I was playing a desperate game of hide-and-seek, fearful of what I might find, most afraid that I would find nothing.
I remember many years ago, I asked [Dalai Lama] about exile and he said: "Well, exile is good because it's brought me and my people closer to reality," and reality is almost a shrine before which he sits. Exile brings us up against the wall and forces us to rise to the challenge of the moment.
It's so liberating to play a song in front of 50,000 people that you've never played before. Not something you played a long time ago and have forgotten: Never. Played. Before. There's something magical about it.
Being an actress, I want to play people that are not like me or the characters I've previously played. It's easier to get roles if you play a certain type of character but I don't want to do that.
We live in a time when fictitious election results elect a fictitious president. We live in a time where we have a man sending us to war for fictitious reasons.
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