A Quote by Marcel Wanders

A lot of my work is intelligent, a lot of the work is beautiful, but I make ugly things, too. — © Marcel Wanders
A lot of my work is intelligent, a lot of the work is beautiful, but I make ugly things, too.
I had a lot of success in big tournaments as well - won Masters Series in Rome - so a lot of things are coming together. I've done a lot of hard work in the off-season. A lot of physical work, a lot of work on my serve and on my return game.
I blame my work for a lot of things. I thank my work for a lot of things, too, but the trouble with being so passionately involved in work is that it becomes like a lover, like your partner, because it nourishes you.
I just think of things as beautiful or not. Can't you understand? I don't think of good or bad. Just of beautiful or ugly. I think a lot of nice things are ugly and a lot of nasty things are beautiful.
Being independent isn't as flashy as a lot of people may think. It's a lot of hard work; its a lot of investing your own money. And to creatively time to make your day work - it's on you to make it work, and no one else.
I see that things are getting made a lot faster for less money and there are a lot less opportunity, I think, for actors. There's not a lot of work in the U.K. I mean, that's why everyone's moving to America because that's where the work seems to be. But it definitely feels like a lot more of a slog to get a gig these days. I suppose that's a lot to do with our current climate and financial messes. I certainly see that people seem to have to work harder with a lot less time.
Anytime you're rewarded for the success you have, you're going to be happy because you put the body of work in. A lot of hard work. A lot of training. A lot of things you do behind the scenes.
It's a lot of work that goes into producing and directing and all those kinds of things. It doesn't just happen. It's a lotta work. It's a lot more work than acting.
A lot of times, when you're acting, you have to explain things to the audience, and it's boring work to do that. It's really hard to make that interesting. I like the discovery of characters. I think people are smart. Audiences are intelligent and can figure things out by just watching behaviors.
For actors, being successful is generally getting a job. If you can work a lot, you're really successful. If you work a lot on projects that are interesting and intelligent and great fun to be part of, then you're hugely successful. And I feel hugely successful. I can't believe that I get to be involved with the projects and the people I work with.
People assume a lot of things about gymnasts - that the girls work too hard, it's way too much for them, they are too young to work so hard.
I remember growing up and hearing the word "ugly" a lot. "I'm ugly." "She ugly." "He ugly." I hated it then, and I hate it now. I go past physical beauty; I tell people they have a beautiful spirit and that is something different.
There were a lot of times that I'd rather be hanging out with friends, or out at a show, but instead I stay home and work on music. It's important to me that I make a lot of work and have a lot of variety and change for myself, because of the kind of personality I have. I have to bring my best self and my best work to the table.
I work a lot and I like to get out and work but the work I do to make the other work work I'm not very good at.
Ballet is an incredibly difficult, beautiful art form that takes a lot of training, a lot of time, and a lot of hard work.
You can't be a great mum and work the whole time necessarily; those two things aren't ideal. We have an awful lot to work on and to debate about in relation to our working lives, because it isn't working for a lot of people, particularly for a lot of women.
I have an idea of a set of colors and see what I have. A lot of things, the best, more magical things in the paintings just sort of happen. They aren't things I thought of in advance. They are more things I am given. What paint does, in watercolor more than oil but it happens in oil too, are things one never expects if you work freely. I suppose I learned a lot coming to this after years of playing improvisational music. I have to trust my intuition and I work in the moment, when that moment seems to be happening. And to leave it alone when it is not.
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