A Quote by Marcel Wanders

The fundamental dogma of Modernism - that, if the past is irrelevant to the future, then today is irrelevant to tomorrow - has created a throwaway society of disposable objects. That is sick.
Modernism is an outmoded way of thinking about design: it just doesn't reflect the way we live now. It always puts forward this idea that the past is irrelevant to tomorrow - and tomorrow is all that matters. But the past is part of who we are.
The greatest gift you can give anyone is to be happy. And we will take that further. The greatest gift you can give to any partner, past, present or future is to be so connected with who you truly are that they are irrelevant to your connection. And when they are irrelevant to your connection, then you are going to have a really good time together.
Culture is being threatened when all worldly objects and things, produced by the present or the past, are treated as mere functions for the life process of society, as though they are there only to fulfill some need, and for this functionalization it is almost irrelevant whether the needs in question are of a high or a low order.
You know what somebody else's fundraise metrics are to you? Irrelevant. You know what your own last round post was? Irrelevant. Yes, I know, not legally, because of those pesky rights and preferences. But emotionally, trust me: it is irrelevant now. We even have a name for this - valuation nostalgia.
Mathematicians do not deal in objects, but in relations between objects; thus, they are free to replace some objects by others so long as the relations remain unchanged. Content to them is irrelevant: they are interested in form only.
Caring is irrelevant. Desire to do good is irrelevant. All that counts is knowledge and results
People are irrelevant. They're as irrelevant as many other prominent leftists are.
History is preoccupied with fundamental processes of change. If you are allergic to these processes, you abandon history and take cover in the social sciences. Today anthropology, sociology, etc, flourish. History is sick. But then our society too is sick
The present generation has been born into a throwaway society of consumers in which both goods and young people are increasingly objectified and disposable.
The people who don't like me are completely irrelevant to me, just as I'm irrelevant to them.
Whatever we have done in the past, be it good or evil, great or small, is irrelevant to our stance before God today. It is only NOW that we are in the presence of God.
Yes, etiquette is hypocritical. Yes, it does inhibit children - if you're lucky. But the idea that it's elitist and irrelevant is like saying language is elitist and irrelevant.
That I have no right to be jealous is irrelevant. It is a human passion: the sick, white underbelly of love.
Your future is created by what you do today, not tomorrow.
If this analysis of history is approximately sound and if the future like the past is to be crowded with changes and exigencies, then it is difficult to believe that the feminism of the passing generation, already hardened into dogma and tradition, represents the completed form of woman's relations to work, interests and society.
Jonathan Meese is not interested in the history of reality. Everything radical and precisely graphic is sustainable. Human ideologies like religions and politics are based on the past and therefore irrelevant to art. Art always transforms radicalism of the past into the future. Art is always the total time machine. Jonathan Meese is interested in the history of the future. Art is never nostalgic.
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