A Quote by Marcela Valladolid

I know how to bring recipes down to the level where people with no experience can feel comfortable making them. — © Marcela Valladolid
I know how to bring recipes down to the level where people with no experience can feel comfortable making them.
I think the more people that feel comfortable in their own skin and feel happy that they can come out and know that it's not going to affect their job or moving up in their career is the way forward. Just making people feel happy and comfortable in their own job and in their sport.
Men do tend to talk about things on a much higher level. Many of my male colleagues, when they go to the House floor, you know, they've got some pie chart or graph behind them and they're talking about trillions of dollars and how, you know, the debt is awful and, you know, we all agree with that we need our male colleagues to understand that if you can bring it down to a woman's level and what everything that she is balancing in her life - that's the way to go.
I feel responsible that everyone has a really wonderful experience and to do the best work possible, and to always know my lines and to always be on time and to bring a level to the show in terms of quality that other people will follow.
How do you make people do the best work? You make them feel comfortable, so you can feel comfortable - and then you can have a really good ballgame!
I have an interest in giving people a cathartic experience, and making them look at homeless people differently, and making them question how they judge people, in general.
[Russians] want to bring us down to make them feel better about the failure of the Soviet Union. I don`t mean bring us down as in collapse, but bring us down a notch in a big way.
I don't ever want to let people down, so a lot of my energy goes to making people laugh and letting them know how much I care for them.
When I opened my solo practice, I made it a priority to put my patients' experience first and foremost. This involves making them feel comfortable, both literally and figuratively.
The deeper reality is that I’m not sure if what I do is real. I usually believe that I’m certain about how I feel, but that seems naive. How do we know how we feel?…There is almost certainly a constructed schism between (a) how I feel, and (b) how I think I feel. There’s probably a third level, too—how I want to think I feel.
It’s interesting how people try to redefine God to their liking. They bring him down to their level so they can understand him, then they reject him because he is too much like them.
I wanted individuals who were clearly themselves and I just got to put some clothes on them, but they basically came "done," you know? How they feel comfortable. I just wanted them to walk down the streets of New York and I said, "You know what? Don't even pose, just walk and we'll take pictures."
The thing is, if people get it right away, I just don't think you're making art. I think you're making something they're comfortable with. You have to challenge people. You know, it has to be new. It has to be something they haven't seen before. Just bring them something they haven't seen before. They aren't going to love it right away because they haven't seen it before. So they have to take a minute, you know?
Would I feel comfortable with Hillary Clinton taking care of my money down there? That I pay the taxes, corporate taxes down there? I wouldn't feel comfortable at all. They've just continuously spent money and people are up to here with it.
If an artist is going through a lot of bad publicity, I don't want to ask them about that. If they want to talk about it, I'll make them comfortable enough where they can bring that up on their own. Not only do I want them to feel comfortable, I want them to come back.
My first sales assessment, they tell you your strong points, and they told me I was the emotional salesman, the one who could really connect with people by making them feel comfortable. Once someone told me that, I couldn't get past how manipulative it made me feel.
Being an actor, you know what it feels like to be directed, so when the chance comes for you to direct someone else, you know how to approach an actor without scaring them off, without making them clam up, without making them feel insecure, without getting them in their head.
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