A Quote by Marcello Giordani
I quit my job in the bank when I was 19. I took a chance. I went to Milan to study opera and singing. My father really supported me economically.
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I was never really interested in an operatic post, but I took on the Bastille because it seemed a unique opportunity to build an opera ensemble from scratch, and to deal with all the disciplines that go into opera - the music, the staging and the singing - in an interrelated way.
This is something that I do consider to be good advice: I took my first paycheck and I put it in the goddamn bank. Then I took my second paycheck and put it in the goddamn bank. I had seen the roller coaster of my father's career - top of the world, then unemployed - and I never wanted to take a job because I needed money.
My father, my uncles, my aunts, from my father's side and my mother's side... they were all professional musicians. My father was a concert master, he took me to a lot of rehearsals, concerts, performances, opera, ballet. For me, that was life.
After three months of singing, Hef heard me practicing once. He tried to convince me to quit singing lessons because there was no chance of being good at it. Of course, I cried a lot when he said that, but it was my money that I was investing in lessons so I continued partly out of spite and partly because I really wanted to do it.
I started playing piano age six. I was also singing in the choir, so my mum put me into music school. I went to study there for seven years, but it was not my passion. I quit because I wanted to study marketing. But I can still play piano.
I've got to sing for Pops; I've got to keep my father's legacy alive because he started all of this. So I started calling people, and nobody would give me a chance, but I didn't let that stop me. I took money out the bank and I started making me a record, and I did it in this guy's basement.
That was my way, and I also use the music after five years, I started hearing opera, opera, it was very good instrument to keep the spirit very strong because you feel like you are yourself singing opera, and I used to hear a lot of opera, they send me tapes.
I really believed music was going to be a big part of my future, and that's why I took a truck driving job, so I could maintain my singing job at night. I put about 30 hours a week just for singing, going between two churches. And in order to afford that, I had to take a full time job so I could do my passion.
The only thing that really inspired me for singing was the movie and musical 'Phantom of the Opera.' I went to see it in the theaters, and I loved it so much. And when I got home, I started singing the songs around the house, and my mom thought I was really good, so she asked me if I wanted to do a talent competition. And I said, 'Yes, definitely.'
In preparing my thesis, I have had the pleasure of collecting testimonies from colleagues such as Placido Domingo but also from singing teachers and musicologists. The entire course of study has confirmed what I already thought, that the value and meaning of opera singing, at the beginning of the third millennium, remain intact.
When I was 18 it was my last season in Milan. I was 18 turning 19 and it was my last season in Milan and I knew that that year was very important for me. A lot of scouts were coming to every game.
The summer following the winter that my mother took off into something called Women's Land for what I could only guess would be all eternity, my father decided that there was no choice but for him to quit his despised job and take me and my brother to the beach for at least the entire summer and possibly longer.
I was a playwright who was still learning the ropes when Starz took a chance on me to create and showrun 'Vida.' They nurtured and supported me during every step of the strenuous process, and that is a debt that cannot be repaid.
My father's an opera nut, and my stepmother used to work at the Metropolitan Opera, so I had a lot of opera immersion. I like the grandness and pretention of it.
When I was 19, I made my first good week's pay as a club musician. It was enough money for me to quit my job at the factory and still pay the rent and buy some food. I freaked.
Until my father brought me into Reliance, I was pretty sure that I wanted to study in a U.S. university: hopefully, a little bit of time, either work at the World Bank or teach as a professor.
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