A Quote by Marcello Mastroianni

Woman is also the element of conflict. — © Marcello Mastroianni
Woman is also the element of conflict.
When a novelist or screenwriter is looking for a subject, the element he's seeking is conflict. Conflict makes drama. Conflict produces great characters and memorable scenes. So war is a natural topic.
'Flash' has a family drama element, 'Arrow' has a epic saga/crime element, 'Supergirl' has a young-woman-in-the-city and a workplace element, and 'Legends' is like the Dirty Dozen teaming up.
"The Invisible Woman" was about trying to show this conflict in [Nelly Ternan] woman truthfully, between her own identity, but also being in love with someone who I think made very high demands from her.
When you have a conflict, that means that there are truths that have to be addressed on each side of the conflict. And when you have a conflict, then it's an educational process to try to resolve the conflict. And to resolve that, you have to get people on both sides of the conflict involved so that they can dialogue.
If an agency is the ultimate judge in every case of conflict, then it is also judge in all conflicts involving itself. Consequently, instead of merely preventing and resolving conflict, a monopolist of ultimate decision making will also cause and provoke conflict in order to settle it to his own advantage. That is, if one can only appeal to the state for justice, justice will be perverted in the favor of the state, constitutions and supreme courts notwithstanding.
There is a documentary element in my films, a very strong documentary element, but by documentary element, I mean an element that's out of control, that's not controlled by me. And that element is the words, the language that people use, what they say in an interview. They're not written, not rehearsed. It's spontaneous, extemporaneous material. People
Without trust, the most essential element of innovation - conflict - becomes impossible.
I'm not only a person of color, I'm also a woman. And I'm not only a woman, I'm also a woman from the Third World. All those elements put together means I have a lot to do.
I wish to pay attention to what we can do better to prevent conflict. Because by avoiding conflict, we save human lives, and we also save money.
Reverence, human of the Earth, is the fundamental element of all existence, so it is therefore also the fundamental element of love itself, which is built on this all-embracing reverence. And since this is so in truth, it is also an impossible thing that love, once awakened and built up in truthfulness, can ever weaken again and become cold, or could transform into hate or be annihilated.
It hardly needs saying that such mutualistic communities will also be plagued by conflict. Conflict is at the very heart of life, resulting not simply from the malevolence of others in the struggle for place or portion, but also from the fact that men of the best will in the world seem to suffer incurably, so far as one can tell, from what William Jame called "a certain blindness" in perceiving the vitalities of others.
What's interesting to me is drama and conflict. Things aren't interesting without conflict and resolution of conflict - or striving towards a resolutions of conflict.
Whenever you have political conflict, such as the one that we have now between Russia and Ukraine, but also in many other conflicts around the world, it has always proved to be right to try again and again to solve such a conflict.
We've always defined conflict fairly broadly from ideological conflict to troops on the ground. For quite some time we've talked about a focus on Palestine. Certainly no one can deny that Israel is conflict with Palestine and no one can deny that the U.S. is the largest supporter of Israel internationally - not only financially, but also in the United Nations where the United States is one of the very few countries that does not recognize Palestine as a state.
I think it's necessary to evaluate a skyscraper at multiple scales, since that's how we experience it: from right next to it on the street to from across the river, as well as at all kinds of points in between. It's important to think of it as an element in a larger skyline, but also as an element in an immediate streetscape.
Something that is appealing is wars are terrible and ugly and hard and each conflict is different, but of every conflict I've ever gone to, I've also seen people being extraordinary in a good sense. It's not just a black and white extreme situation that pushes people to extremes and they do crazy bad stuff. You also see crazy brave stuff. You see humanity in a different light.
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