A Quote by Marcia Clark
I agree with Scott Turow: A courtroom is inherently dramatic. You walk into court - it's like an ER, you know? Life and death is going on there. And it's moment-by-moment, and it's packed with energy. And even though you think you know what a witness is going to say, you can be wrong. Witnesses surprise you.
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The best actors just stay in the moment,and whatever happens in the scene is a genuine surprise. You really do not know what's going to happen next. But living that out in life is very dangerous because it throws you into a place where you don't know if you're going to survive.
Now to sum it up,' said Bernard. 'Now to explain to you the meaning of my life. Since we do not know each other (though I met you once I think, on board a ship going to Africa), we can talk freely. The illusion is upon me that something adheres for a moment, has roundness, weight, depth, is completed. This, for the moment, seems to be my life. If it were possible, I would hand it you entire. I would break it off as one breaks off a bunch of grapes. I would say, "Take it. This is my life.
I remember running into Aaron's Sorkin office and going "The show's West Wing going to work! I know it's going to work!" And it was literally that moment: the energy, the place, the feel. I didn't know the show would be successful but I thought it was going to be good and I don't have that feeling very often. And we were rehearsing all of that not knowing who the President of the United States was!
Every moment of my life has a soundtrack, so I never know when some song is going to jump me by surprise and bring the memory alive.
Even though I am a professional, and I know what the steps are, I don't quite know how I'm going to do them, because I haven't lived that moment yet. I always feel very insecure and I get very excited.
I think that 'Pinata' album is going to stand the test of time. It's going to be a moment in hip-hop, whether people know it or not. It's nothing else like that in rap. It's going to forever hold its place.
You know, Miss Holly, you look very dramatic like that, backlit by the fire. Very attractive, if I may say so. I know you shared a moment passionne with Artemis which he subsequently fouled up with his typical boorish behavior. Let me just throw something out there for you to consider while we're chasing the probe: I share Artemis's passion but not his boorishness. No pressure; just think about it. This was enough to elicit a deafening moment of silence even in the middle of a crisis, which Orion seemed to be blissfully unaffected by.
I'm about to read Scott Turow's 'Innocent.' I've been hungry for this book since he first told me it was in the works. I'm a serious Turow fan.
I am interested in the possibility that we are going to be wrong in the same way that history has indicated that mankind always is. It seems as though the history of ideas is the history of being wrong. And to me, that is a kind of continuum. It's a continual path that shows we don't always know something, but we're always shifting to a path that makes us feel more comfortable in the moment, even if that shift is wrong, and a new shift is destined to happen again.
We are left with nothing but death, the irreducible fact of our own mortality. Death after a long illness we can accept with resignation. Even accidental death we can ascribe to fate. But for a man to die of no apparent cause, for a man to die simply because he is a man, brings us so close to the invisible boundary between life and death that we no longer know which side we are on. Life becomes death, and it is as if this death has owned this life all along. Death without warning. Which is to say: life stops. And it can stop at any moment.
Even though people like to say Destroyer [albom] is gibberish and all that, I usually know exactly what I'm saying at every single moment.
When you look at death, it makes you understand the importance of the moment when you have life and death in front of you, and you witness seeing someone deteriorating in front of you - it's an overwhelming experience. If you don't learn from that, I don't know what else you're gonna learn.
I don't like being told that's where you, you know, if you walk on set and somebody was "okay, you're here and you're going to walk over there on this line." And my reaction is always how do you know? How do you know that's what I'm going to do? How do any of us know?
People believe that when they say "yes" to this moment, things won't change anymore. They're afraid that if they accept what is, whatever form this moment takes, they're going to be stuck forever in this moment that they don't like: this job or relationship or whatever situation they're in that they don't like. But this is not true.
There are so many rules in the art world. I don't like rules and I break them all the time. I don't care if people think I'm overexposed. What I care about is if I'm going to run out of energy. Overexposure is only a problem if you are drained of energy and cannot come up with new ideas. Every artist has to recognize that and know when to stop for a moment.
I can let you in, Eva. I’m trying. But your first response when I screw up is to run away. You do it every time and I can’t stand feeling like any moment I’m going to do or say something wrong and you’re going to bolt.
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