A Quote by Marcia Cross

I have always wanted to know what's going on under the surface. — © Marcia Cross
I have always wanted to know what's going on under the surface.
There's plenty going on that's substantial and transformative, beneficial and authentic. Just because somebody is in the media, it doesn't mean they're bad. It may mean they're the best, and occasionally you know the cream rises to the surface, but not always everything on the surface is cream.
When I finally got my break in TV, as a staff writer, I always wanted to be at the top of that pyramid. I always wanted to make the decisions. I always wanted to be the one that was saying, "This is what the show is, and this is what the show is not. This is where we're going. It's going to be this kind of series." It was just something I always had my eye on, when I started in the business.
As a surfer, I think of places like a wave: you see one thing on the surface. But you always know there's something different going on underneath.
I always wanted to be Gene Hackman and I always wanted to be, you know... I wanted to be one of these guys. I always wanted to be Bob Duvall.
Every day I studied the nude, and movement in the streets and in the shops [in Berlin]. Out of the naturalistic surface with all its variations I wanted to derive the pictorially determined surface.
I didn't always know, but I always wanted to. I always wanted to be the very best receiver the Cowboys ever had. That was my goal coming in as a rookie and my goal throughout my career: being the best they ever had, going up in the Ring of Honor.
We know what the surface of the moon is better than we know what the surface of the sea floor is.
I think music has always been what I always wanted to do, but I didn't know how or when I was going to get discovered.
Storytelling is more like a skin. You start with the outermost layer, what it's going to look like, then you kind of get deeper into it. What's actually going on beneath the surface is not really dictated by or related to the surface genre. It's more about what's going to happen between the characters and what's taking place in the story.
I've always been very ambitious, and I always knew that I wanted something else. Cuba was a good start, but I knew I wasn't going to develop a real career, and I wanted to get closer to filmmakers that I wanted to work with.
Now imagine that you are going beneath the surface of the ocean. Below the surface all is calm, silent, and serene. As you visualize yourself going deeper and deeper into the depths of the ocean, feel that a profound peace is entering you.
I always just wanted to be successful. I didn't know what it was, what I was going to do.
You can't get at the thing itself, the real nature of the sitter, by stripping away the surface. You can only get beyond the surface by working with the surface. All that you can do is manipulate that surface - gesture, costume, expression - radically and correctly.
I think one thing with Sweden is that in some way the Swedish society is a very good society, almost perfect on the surface. That is something that makes the writers forced to see what is underneath the surface, because it's always something underneath the surface, of course.
I have always wanted an Olympic medal. I always wanted to see India's national flag going up at the podium.
Titan has no liquid water on its surface, and any liquid water beneath its surface is inaccessible to us, as far as we know. It has hydrocarbon lakes, but we don't know of any organisms that could live in those, not at the temperatures that we find on Titan. Any reference to possible life in lakes on the surface of Titan is pure speculation.
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