A Quote by Marcia Fudge

Ethnic sensitivity both on-camera and behind it demonstrates a corporate understanding of the benefits of diversity and a genuine respect for the audiences' needs. — © Marcia Fudge
Ethnic sensitivity both on-camera and behind it demonstrates a corporate understanding of the benefits of diversity and a genuine respect for the audiences' needs.
I think in television there's more of an awareness about a need for more diversity, but there still needs to be great practical strides taken to improve diversity in front of and behind the camera.
We want the diversity of the world that is around us represented both in front of and behind the camera, and on our screens as a result.
I think the crux of this urgent and real conversation about representation and diversity in art-making and storytelling both behind and in front of the camera ultimately has to do with simply seeing more human perspectives.
We need to have more conversations about representation as well as the imbalance in terms of needing more women behind the camera and in front of the camera, and the diversity factor.
It's not just the actor in front of the camera. And it's important to have respect for all those people that work behind the camera.
I believe in diversity in front of and behind the camera.
I am very proud of my husband, both behind the camera and in front of the camera.
My parents worked in the film industry, but they both worked behind the camera, so I like to think that I have a really good understanding of how all the parts of the puzzle come together to make a film or TV show.
Together with MAC, I am excited to invite and empower more audiences as we both have individuality and diversity at our core.
I think Maine needs people. It needs diversity. It needs to be able to respect people. Openness is crucial for this state because we don't want to be known for having the oldest state in the nation. We want young families.
I have a hard time accepting diversity as a synonym for justice. Diversity is a corporate strategy.
Katherine Johnson never complained, it just was what it was. She just said, "I just wanted to go to work and do my numbers." And she stopped right there. I think about that as a Black woman in Hollywood when I'm asked about diversity. I hate when people say diversity because the first thing you jump to is Black and white. When you talk about diversity, you're talking about women being hired in front of and behind the camera. You are talking about people with disabilities, the LGBTQ community...so I hate when people think about diversity.
I'm really into both sides of the industry - in front of the camera and behind the camera. I love the business side of it; I love all of the contracts and negotiating and the different connections that you can make.
I think there's a huge parallel that affects my musical taste, and connections that have to do with my ethnic diversity and my musical tastes and the diversity of that. And it's interesting that, growing up on the circuit, it posed such a challenge, not only to me deciding what my identity was amongst my peers, but then on the music side, it was like trying to explain or convince people especially in the music industry that there was a place for what I was trying to do. But at the same time, I think it has a lot to do with timing and even me, like, understanding it.
I definitely have some colleagues that I respect, and we get together from time to time. But I actually have just like genuine friends. Paul Thomas Anderson is a genuine friend. Robert Rodriguez is a genuine friend. Rick Richard Linklater is a genuine friend. Eli Roth is a genuine friend. And so is Edgar Wright.
Afghanistan's borders are arbitrary, drawn to meet 19th-century political needs rather than to respect ethnic or religious patterns.
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