A Quote by Marcia Gay Harden

I have a theory that there's almost this primal viewpoint on women in the business, that once you're beyond childbearing age, you are perceived as nonthreatening, nonsexual, noncastable. Sure, I already knew it before I got into it. I just didn't know I'd end up making my living from low-budget, independent films.
Even before the economic crisis in Greece there was no structure for making films - no proper industry, and the structure didn't help filmmakers at all. So filmmakers had to help each other, and make very, very low-budget films. Now with the crisis, things got a bit worse, but filmmakers are still going to be making films. It didn't change that much.
I grew up in low-income areas and I've seen people take negative energy and just accept it. They give into and end up living a pretty rough life. At a young age, I just knew I wasn't going to give in because I didn't want to end up being one of those people in the neighborhood that didn't have anything and lived a hard life.
We love making movies. We got into the business to make movies. At the end of the day, whether you're doing a low budget film or a big budget film, you want it to do well and you want people to see it. That's the whole point. You want to put some kind of message in it.
There are two types of films - one made by the big-time producers, the other is low budget stuff made by some producers who make films for the heck of it, they complete their films for small amounts, sell it at low costs with almost no publicity.
My feeling is, I do a lot of low-budget films. I don't do low-budget acting. I have no interest in just goofballing my way through, thinking, 'Ah, no one's ever going to see this anyway.'
I remember listening to 'Low End Theory': I had been kicked out of high school. I was in GED school in the LES, and all I could do was listen to 'Low End Theory.' I was in a strange time in my life, and 'Low End Theory' kind of defined that time.
People gravitate occasionally to the brilliantly made art low budget films, which is maybe one out of every five hundred low budget films made.
The great thing about horror films is that they work on a low budget. The genre is the star. You don't need big movie stars, and I actually think a lot of times that the best horror films are the low budget contained ones.
You need to know a lot about what's going on, but when it comes to making the work, I take almost an anti-intellectual stance. You've got to be stupid enough, in some ways, to plunge into something that you have no idea what it's about. If you know what you're going to do before you do it, you just end up illustrating an idea.
Maybe it's just a matter of getting older and being aware that the market for medium-budget and low-budget films, which is of course what I spent most of my life making, has diminished. And maybe the quantity of ideas has diminished a little bit.
I feel a lot of films that are shot digitally, even low-budget independent films, they look super slick now. Because the technology is so good that they look too good.
This is a wrong notion that I work in big budget films. Infact, usually low budget films are offered to me, they come and say it's a good story but they don't have the money.
I always knew I wanted to make films, but just didn't quite know how to start. I was making little short films with my friends but I wasn't quite sure how to put those pieces together for myself.
I think one of my favorite things about making low budget movies is that when you get into expensive moviemaking territory, it's almost impossible not to reverse engineer the movies. It's irresponsible not to think about the result and the financial result. But when you make low budget movies, you can put that out of your head.
I knew from a young age that I was attracted to guys. I didn't know if it was a phase... I didn't want to say, 'Hey, I might be gay. I might be bi.' I just didn't know... I wanted to find who I was and make sure I knew what was comfortable. So I didn't tell anyone growing up.
Short films are good, especially since independent films are making waves now, more than before.
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