A Quote by Marcia Gay Harden

Back in the days of Barbara Stanwyck and Bette Davis, beauty wasn't the be-all and end-all it is today. — © Marcia Gay Harden
Back in the days of Barbara Stanwyck and Bette Davis, beauty wasn't the be-all and end-all it is today.
It's weird, because American films in the 1930s and '40s, particularly melodramas, were made for woman, from Bette Davis to Joan Crawford to Barbara Stanwyck to Katherine Hepburn, and for some reason we've taken a step backward in this sense.
I only wrote two fan letters in my life. One was to Bette Davis. And one was to Ron Palillo, who played Horshack on 'Welcome Back, Kotter.' And Ron did not write me back, but Bette Davis did.
I loved working with Bette Davis. Bette Davis was great to work with and a wonderful teacher, and very kind to me. We became good friends.
When I first watched Bette Davis in 'All About Eve', I was struck by how much I felt that she is Margo Channing and that she's Bette Davis, where she was able to do both, where you're like, 'What an icon.'
I loved Barbara Stanwyck and Katharine Hepburn.
Beauty is subjective: Bette Davis wasn't beautiful, but she was more than beautiful.
I was lucky enough to make four pictures with Barbara. In the first I turned her in, in the second I killed her, in the third I left her for another woman, and in the fourth I pushed her over a waterfall. The one thing all these pictures had in common was that I fell in love with Barbara Stanwyck - and I did, too.
Bette Davis, she was so brilliant and one of my heroes, but she worked a ton, and then she didn't get All About Eve [1950] until the last minute. Claudette Colbert was supposed to be Margo Channing, but then she broke her back and couldn't do it. That allowed Davis to play her age.
When I was a kid, it was Bette Davis. She was my idol. I used to cut school and sit in the back of the theater; of course, I would have snuck in because I couldn't afford a ticket.
I once asked Barbara Stanwyck the secret of acting. She said: 'Just be truthful - and if you can fake that, you've got it made'.
I went to Hollywood to test for Martha Ivers and I thought I was going to play the part that Van Heflin played.But they wanted me to play the part of Barbara Stanwyck's husband, so I played that. Then when I finished the movie, I went back to Broadway and did another flop.
Barbara Stanwyck movies drove me nuts, like 'Ball of Fire' and 'Double Indemnity.' I used to go cuckoo when I would see those films.
I was very much raised by my grandmother, who actually was Bette Davis - looked like her, acted like her, talked like her. Probably, it was just out of my love and affection for my grandmother that I was interested in Bette.
I bought a gun safe with velvet shelves and a built-in dehumidifier to house the hundreds of original [Barbara] Stanwyck letters I amassed that I first kept in the lettuce crisper of a refrigerator in my basement.
I was the kid that grew up watching Bette Davis films.
I don't think I have the image that say, Judy Garland has, or Bette Davis.
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