A Quote by Marcia Gay Harden

You've got to understand what makes the character human. — © Marcia Gay Harden
You've got to understand what makes the character human.
When you study a character, when you're making a film, you want to understand the character: like, what makes them tick?
We've got to temper anything we say with that. On the other hand, you've got to be serious about what you do. And you've got to understand the price you pay for frivolity or just for greed - it's a very high price, especially if you're involved in this sacred material, which is about the human heart and human desire and human tragedy.
When you practice Buddhism, you have to always self-reflect, and you can't avoid your problems. That makes me understand human beings better. I feel that the more I do that in my own life, the more I can see how to play a character.
Learning, like love, death and eating, are fundamental human activities. It's at the core of human existence and its character has a resilience of continuity that is part of what makes up human nature. That is not fundamentally going to change.
You have to have a character; you have to build your character. If you understand the pro wrestling scheme of things, then you understand what the promoting is. These guys are friendly backstage, but as soon as the cameras turn on, it's a whole different story: you become that character.
There's always that key to every character that lets you go to those places you need to go to. No matter how much you might hate the character, it makes you understand it.
To read a character I'm not sympathizing with is generally quite a good, attractive proposition because I've got somewhere to go, I've got work to do, to try to understand why they behave like they behave, to relate entirely and understand them and to be completely emotionally connected. That is much more fun 99 percent of the time.
So some guy may know how to make money in cocoa beans, but I don't so I just let him have that. But it's got to be something I understand. It's got to be a business with fundamentally good economics. It's got to be a management that I like and trust and admire. And it's got to be a price that makes sense.
You don't understand what makes you understand what makes your life better until you take something that makes it so much worse and you embrace that.
I know feeling pressure gets you nowhere creatively. You've just got to understand the character, understand the story, and just play it to the fullest extent.
You've got to understand that in Bollywood, every actor is an instrument, and yet a human being. They come to the set with a set agenda, believing, 'This is who I am, this is what I want, and no, I am not going to become that character you want me to.'
How can I make him understand that he did not create me? He makes the same mistake as the others when they look at a feeble-minded person and laugh because they don't understand there are human feelings involved.
I'm not sure that I 'am' a philosopher - but I do engage with questions that are generally recognized as philosophical questions, such as the character of human existence and what makes for a good human life.
I prefer to be part of a positive statement. I'm not interested in the psyche of a serial killer. What I'm interested in is creating a situation in which people get some emotional exercise, which makes them feel like human beings and makes them understand that they are part of the human community with all its responsibilities.
I think you've got to understand your character and where they're coming from.
That's your job as the actor, to understand the human part of the character, to make it real.
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