A Quote by Marco Arment

People want to download publications quickly and read them without cruft. Publications that started in print carry too much baggage and usually have awful apps. 'The Magazine' was designed from the start to be streamlined, natively digital, and respectful of readers' time and attention.
When I did my first price guide in 1979, publications weren't interested in mentioning it. Now I get phone calls weekly if not daily from publications and television shows who want to know what's hot, how to get started in antiques, and the best way to buy antiques.
In the new world of digital, there are no must-read publications any more.
Before the 21st century, stories became popular because people talked about them in other publications or shared magazine and newspaper clippings with friends.
No other serial publications carry a number on them that is of any weight to their readership. The number is there to serve a function, but it has no intrinsic value in and of itself. It's comfort food and nostalgia at best. On this, we follow what you and your fellow readers do more than what you say. We hear complaints about renumbering every time we do it, but every time we do it it results in higher sales, which is the whole ballgame - so if it were your time and your effort, what would you do?
Whether these were liberal publications or conservative publications, whether they were mainstream or slightly to the side of the mainstream; out of the mainstream, they all believed that they had the right to tell you how to stylize yourself. And from the New York Times to the much more left-winged nation. And The Voice said, no, whatever you want to. You drew whatever you want to, we'll publish it. Nobody was doing that. Nobody does it today. The Voice is no longer that paper, and editorializing is now in the hands of editors, with few exceptions.
I carry too much baggage... the baggage of David Lean, Satyajit Ray, Shyam Benegal.
After a Double-A season in which I was named Minor League Player of the Year by several publications, I grabbed some positive media attention. Being the emotional, entrepreneurial capitalist that I was, I decided to try to strike and start an online fan club.
So this is why I can't agree with "don't feed the trolls." When millionaire celebrity broadcasters and entire publications start trolling, ignoring them isn't really an option anymore. They are gradually making trolling normative. We have to start feeding the trolls: feeding them with achingly polite emails and comments, reminding them of how billions of people prefer to communicate with each other, every day, in the most unregulated arena of all: courteously.
What I care about is readers because without readers I can't make a living... And I think it's a bad thing for the world if people don't read anymore. I want people to read a lot.
When we started ShapeShift, a future world of natively digital assets was very theoretical.
Print publications have to be as luxurious an experience as possible. You have to feel it coming off the page. You have to see photographs and pieces that you couldn't possibly see anywhere else.
As her parents, Aishwarya and I want our child to be happy and healthy. I was guarded from all this (media attention and showbiz world). The trade magazine and all was banned in my house. The first time I read a film magazine was when I was 18.
My mission is to figure out the journalistic model for the digital medium, finding out how we get the right stories readers want, at the right time and wherever they want to read them.
Bloggers and stores and publications and brands and houses all need to sort of take a deep breath and relax because no one is going away. The brands aren't going away. The designers, bloggers, publications aren't going away.
The digital print is becoming the look of our time, and it makes the C-print start to look like a tintype.
I like collecting comics, I like buying comics, I like looking at comics, but I also read comics on digital readers, so any way people read comics is fine with me. Digital is just helping people who might not necessarily have access to comics help them; that's great.
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