A Quote by Marco Beltrami

If it's a real bad score, then it can ruin a movie for me, or, at least, it will draw a lot of my attention to the score. — © Marco Beltrami
If it's a real bad score, then it can ruin a movie for me, or, at least, it will draw a lot of my attention to the score.
It was a mistake of mine to tell the lads that this lot don't score too many goals - and statistically they don't - but then they go and score seven.
The Bell curve is a fact of life. The blacks on average score 85 per cent on IQ and it is accurate, nothing to do with culture. The whites score on average 100. Asians score more. The Bell curve authors put it at least 10 points higher. These are realities that, if you do not accept, will lead to frustration because you will be spending money on wrong assumptions and the results cannot follow.
I do not let a bad score ruin my enjoyment for golf.
It bothers me that the average fan, the average sportswriter for that matter, pays so much attention to what's in a box score. A box score does not properly represent the most important thing - team play. It shows some guy scoring 27 points, but it doesn't show that my 27-point man let his guy score 30.
To me, score is really important. I would rather not have any score if it's something that's going to detract from the film. So often when I watch films, the score is what really bothers me.
Maybe other managers would see their team score one goal and then prefer to go back and counter-attack, then try to score the second goal. A lot of those managers are the best managers at the moment, but for me, it's very important to continue the way I play.
There's been a lot of talk of me being a one-man show but that's simply not the case. We win games when I score 40 points and we've won when I score 10.
I don't pick tournaments to score or rivals or other teams to score against. I'm a striker: every game I play, I want to score.
Victor Young had been hired to write the score for the dances of The Ten Commandments but he became very ill. You were then hired to write the score. But at the same time you'd written The Man with the Golden Arm score.
I don't go out and just try to score. I score because there is an opportunity to score.
Does film music really matter to the average moviegoer? A great score, after all, can't save a bad film, and a bad score - so it's said - can't sink a good one.
As a point guard, you don't really have to score. The only time you have to score is when you have to score.
Saturday afternoon is the hardest thing. I can go out and watch games, but I'm constantly on my phone looking at results: what score is this, what score is that. You have no real involvement, but you're obsessed with it.
There's kind of a cool feel that happens every now and then. I guess that feel is the thing that makes the score its own score. But, I don't know exactly what that is. So, it's hard for me to answer that question.
I am convinced that when the team plays well, the attackers will have chances to score - and that's why I will have the chance to score.
I'm here to score a lot of goals. It's my specialty, that's what I've been brought here to do, and I want to score plenty ; like I did with Barcelona. And here, there's every reason to think I can do it.
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