A Quote by Marco Beltrami
The thing that struck me most after first viewing 'The Sessions' was the charm of Mark O'Brien and the intimacy that the director, Ben Lewin, manages to capture perfectly on screen. I did not feel forced or cajoled in any way into believing the story.
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My standard training week, there's a lot of training in there. I have a high-performance coach who manages these spreadsheets of mine, manages my sessions and my loads. It's a very complicated process, and he puts me through about 22 sessions a week.
I'm the type of actor that believes the director has to be in charge. I've been on sets where the actor's ego was the most important thing, and with a director that messes it up. But I don't like a dictator, I want it to be collaborative - the best idea wins. If I feel respected, and I'm going to give that back. If a director wants to try something, cool, I'll give it back. I also feel like they cast me for a reason, so I'm going to make my mark on it... let me do my thing.
An actor puts himself in the hands of a director. And the director's first responsibility, obviously, is to tell the story, but the smallest thing that's not true reads on the screen. So if a director sees that an actor is not believable, he needs to help him become believable.
After watching my Kannada film 'U Turn,' director Kannan narrated the story of 'Ivan Thanthiran,' and wanted me to attend the auditions in Chennai. He selected me after seeing me perform to two difficult scenes I was given during the screen test.
So we must realize this: the suicidal framing story that dominates our world today has no power except the power we give it by believing it. Similarly, believing an alternative and transforming framing story may turn out to be the most radical thing any of us can ever do.
If I had to choose criteria, for me, it's about first the director. I want to be a part of something that's good and intellectually challenging. After the director it's the character and the story. That's the deal for me.
I'd like to make people who see me in comic pantomime on the screen feel the way Mark Twain makes his readers feel.
Coming of age as a young queer man of color, it was a rarity to see any reflections of myself portrayed in mainstream media. Turning on the television or going to the movies was an escape into the imagination, yet it did not allow me a place of true connection to what I was viewing on the screen in front of me.
I wrote a comedy, which hopefully [Rick director] Curtiss Clayton will bring to the screen, that I thought was the antithesis of all my work. I thought it was light and sunshiny, and Mr. Clayton reminded me that it is the story of a woman kidnapped and forced to do things against her will, which is not what most people think of as light and sunshiny.
I feel like my job as a storyteller and director is to create an experience where the audience forgets they're in a cinema and can get lost in the story. Things popping out of the screen call attention to the artifice of what you're doing, so I use 3D as more of a window into a world behind the screen.
The only thing about kissing anyone on screen is that forced intimacy is never pleasant. If you don't want to be kissing someone, it's hard to get over that barrier, and so there's a reluctance to be that close to someone.
It suddenly struck me - I'm 70 years old. I wonder if I could possibly end my life the way I started it: doing the most joyful thing I ever did, which is to sing.
He said his friend Victor called it a lucky charm, and that it kept him safe in Iraq." She felt her pulse pick up tempo, and she brought her face close to Ben's. "Did you say Victor called it a lucky charm?" "Uh-huh." Ben nodded. "That's what he said." "Are you sure?" "Of course I'm sure." Beth stared at her son, feeling at war with herself.
Just as many golfers feel a kinship with Ben Hogan or Bobby Jones after studying their lives, such is the closeness I feel with Lawson Little Jr. Little quite simply is the most underappreciated golfer of the first half of the 20th century.
In high school, my first thing ever was I played Tony in West Side Story when I was about 17. I was a really shy kid and I just like forced myself to learn how to sing this one month because I loved West Side Story so much and I somehow managed to get the role. I had an afro and glasses, and the guy who cast me goes, "All right, the first thing to go is the afro and the next thing, I'm going to buy you contacts and we're going to get you..." So he kind of molded me into what it had to - that's still probably the hardest role I've every played in anything, the most taxing role.
Look what Ted Cruz did with Ben Carson, who's endorsed me, a great guy. Look what he did to Ben Carson. He said that Ben Carson in Iowa has left, he's out of the campaign, vote for me. Thousands of people voted for him because he convinced people that Ben Carson had left the campaign.
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