A Quote by Marco Bizzarri

Creative directors can be egocentric, they say. I decide; they shout at people and harass. I don't want that. — © Marco Bizzarri
Creative directors can be egocentric, they say. I decide; they shout at people and harass. I don't want that.
As far as people getting into the industry and creative roles as writers and directors, I would say that technology is on your side, and you can tell their stories very easily.
I go out and I say and do what I want - even if people may find that shocking. One could, of course, decide to be suffocated by all the pomp here in Élysée Palace. But if you decide to resist it, then you won't be suffocated.
It's just difficult to see that people want to be like the actors and the performers and the politicians who are - who they see all the time, but the people that are probably having the most fun are the writers and the directors and the producers and the scientists, right, the people in the back that are getting to do the creative process.
I have a lot of creative control, so I can decide what I want to wear, what I want my brand to look like, what I want my songs to sound like, so I don't sound like some fake artist that people can't relate to.
Jerusalem is the capital of Israel. Take that off the table. Tell both sides to come together and say, 'Okay, you decide how you want to split up Jerusalem. You decide if you're going to create boundaries or borders there.' And let them decide.
Do not give a war cry, do not raise your voices, do not say a word until the day I tell you to shout. Then shout!
I think there's a deep impulse in most humans to do creative stuff, whether that's music or art, photography or writing. Most people at some point in their life say they want to do something creative - they want to be an actor, a director, a writer, a poet, a painter or whatever.
Sometimes people say, 'Walter, you are egocentric or narcissistic.' No matter how much money it costs, I always say, 'You have to be radiant. You have to be Walter.'
As an artist - I'm sure like most creative people - you have a kind of board of directors that you make your work for. It's a group of people that you have, these friends, and you want to know what they think. In a weird way, you're making the work for them.
When people say "What do you want people to get from this movie?" I say, "Well, it depends on what they bring to it." I don't try to decide what people should get from it or why. I don't do a part for those kinds of reasons.
You have to be practical. So every time I say, if you want to write a novel you have to be practical, people get bored. They are disappointed. They are expecting a more dynamic, creative, artistic thing to say. What I want to say is: you have to be practical.
If you are ever attacked in the street do not shout 'help!', shout 'Fire!'. People adore fires and always come rushing. Nobody will come if you shout 'help.
Any filmmaker, big directors, and I'm not dropping any names - I actually have couple names I want to say, but I will not - we have a ratio. Each thing you repeat, my ratio is one to four.Actually some people are ratio one to 34. I know couple directors, big directors, they are just shooting over and over.
I always say I want creative control. A lot of people don't think about that. And that's what every artist should think of - being creative and not just a puppet.
People don't normally just say, 'Do you want to come and audition for one of your favorite directors?'
Despite the occasional high decibel level, 'The Group' is not a shout fest. I don't simply want panelists with opposing opinions trying to out-shout one another.
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