A Quote by Marco Brambilla

Just doing a project because it's an opportunity won't create meaning. As an artist, I need something to communicate. — © Marco Brambilla
Just doing a project because it's an opportunity won't create meaning. As an artist, I need something to communicate.
Just doing a project because its an opportunity wont create meaning. As an artist, I need something to communicate.
Where my earlier works, what sets them apart is that I didn't need approval and I didn't need permission from anyone because I wasn't being paid. So, to me, I was allowed the freedom, the total freedom to just communicate how I wanted to communicate and my whole level of perspective was to communicate to the barrios, communicate to the gangs and communicate to the people that frequent the thoroughfares that were populated by these gangs and by this life style.
you don't need talent to be an artist. 'Artist' is just a frame of mind. Anybody can be an artist, anybody can communicate if they are desperate enough.
I had to learn, because as an artist myself, an artist owns that right to protect their interest of how they want to roll their project out. It's just important to give them that opportunity to roll it out the way they want to.
Life in itself has no meaning. Life is an opportunity to create meaning. Meaning has not to be discovered; it has to be created. You will find meaning only if you create it. It is not lying there somewhere behind the bushes, so you can go and you search a little bit and find it. It is not there like a rock that you will find. It is a poetry to be composed, it is a song to be sung, it is a dance to be danced.
I don't think of myself as just a pop artist, but someone who knows she has a bigger meaning. I'm not doing this for myself; I'm doing this because it's my destiny.
What is it about animation, graphics, illustrations, that create meaning? And this is an important question to ask and answer because the more we understand how the brain creates meaning, the better we can communicate, and, I also think, the better we can think and collaborate together.
The physical world is not going away, just items take on different meaning. Paper takes on this archival, very important meaning now that it's not the only way to communicate something.
What I want to try to prove is that artistic games, when done properly, can still be a commercial success. By doing that, I will be able to essentially shift the industry and create more opportunity for people to create artistic games. In a way, making money is important for us right now. Not because we need it, but because the industry needs it.
As an artist I have always felt that my task is not to create meaning but to charge the air so that meaning can occur.
I can get inspired just off the energy of Soulja Boy, just his energy, you have to take something from an artist. Everyone may not look at an artist the same way, but it's something that artist is doing that's creating his success.
A writer writes not because he is educated but because he is driven by the need to communicate. Behind the need to communicate is the need to share. Behind the need to share is the need to be understood.
You don't need to raise taxes on rich people, because they create capitalization and investment. But you need to tax speculation - meaning capital gains.
When I got the opportunity to do the new wing [the Schauhaus] for the German Historical Museum, for instance, I didn't see it as an opportunity for my own ego, to do something so exciting that every architectural publication would want to put it on the cover. I accepted it because I knew it was going to be a very difficult project, and I wasn't sure I could do something exciting there.
Because I could take this as an opportunity to create something that I pretty much guarantee nobody else was going to create in film.
I'm doing a collaborative project with another artist, Mary Hamill. My project is to gather the oral history of war widows, starting with the women of my village, Kop Nymit.
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