A Quote by Marco Mendoza
I think after a few years and working on so many projects, you don't get jaded but the level of your expectations is minimal, especially the way the music industry is today.
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I think the States is a huge part of the music industry worldwide. There are so many other artists and music industry people here, so I think to be working my audience here is definitely a go.
I think this industry can be tough on everyone. You have to surround yourself with supportive people and know when to put your foot down and do what's best for you and your family. The first few years in the music industry can be a steep learning curve, and I've definitely developed a thicker skin!
There's prejudice everywhere. I don't think the music industry is as bad as the movie industry. But I have taken a few hits over the years for my sexuality, and for being honest about my life. In the end, it's the music that rules the roost.
We have had examples in our industry of people working for 30-40 years because of their ability to act. Your looks leave you after a point, you don't look the same way you did when you were in your 20s or 30s. After that you have only your ability to show.
After 4 years on NYPD Blue it has been nice to have the summer off and spend time with family and friends. There are a few projects I am interested in and plan to be working this fall.
I know Becky G, Natti Natasha, and other Latina singers, we have been working many, many years and now we have the opportunity to show what we have, to show what we have been doing for many years. Great things are happening for women in the Latin music industry.
I think all of us set out to try and reach as many people. That's the whole point of being in a band: trying to get your music out there. So, any opportunity to do that, within reason. We're informed about where our music is going to be used; we get to say yes or no. There are things we can turn down, and there are things we can agree to. When it comes to movies and stuff like that, it's great for us. I don't think it's selling out. Maybe 10 or 20 years ago it was seen as selling out, but nowadays I think it's the only way to get your music out there.
Fear of failure held me back from being a DIYer for many years, especially after a few early attempts at home improvement projects went awry.
The Dreyfus Affair is an exceptional case. It's true that here and there you can find some dregs of anti-Semitism, but the situation is the same in every country. After all, you're not exactly a nation like all the other nations. You are unique, if only because you are such an ancient people, and because of the way you are spread all over the world and your obvious success in many fields. But, in all honesty, anti-Semitism in France has always remained on a minimal level, at the verbal level only. It never went as far as pogroms.
After working as a producer on many pop, electronica and some soundtrack, incidental music projects, I became more focused on film and TV scores.
What I learned from people like Carlos Santana is that you cannot get too happy after working for five years in the industry. It takes years and years, and I learned to keep a straight head and keep on working harder and harder.
The music industry is a very rough industry. Many years ago, I think it was even rougher in the sense that a lot of it was predicated on image.
I have fashion designers that I definitely respect. After working for a few years in the industry, you want to branch out and do your own thing and I think that's something that has always been important to me is strengthening the brand and just sticking to "this is who we are, this is our identity, this is who we're going to be". I definitely respect other designers but I don't necessarily have one that I look up to.
I'm chasing a kind of language that can be unburdened by people's expectations. I think music is the primary model-how close can you get this language to be like music and communicate feeling at the base level in the same way a composition with no words communicates meaning? It might be impossible. Language is always burdened by thought. I'm just trying to get it so it can be like feeling.
After 1999, I thought that I needed a break. As a senior composer, I didn't like the trend of three music directors working on a single film. But after a few quiet years, I was back for good.
There are very few music projects like 'Border,' that you get to work on in your lifetime.
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