A Quote by Marco Pierre White

All great chefs have two things in common. First, they respect nature as the true artist, and they are just cooks. Second, everything that they do is an extension of them as a person.
I think cooks that are just interested in molecular gastronomy are cooks that will never be chefs.
Mother Nature is the true artist and our job as cooks is to allow her to shine.
I don't need to praise anything so justly famous as Frost's observation of and empathy with everything in Nature from a hornet to a hillside; and he has observed his own nature, one person's random or consequential chains of thoughts and feelings and perceptions, quite as well. (And this person, in the poems, is not the "alienated artist" cut off from everybody who isn't, yum-yum, another alienated artist; he is someone like normal people only more so - a normal person in the less common and more important sense of normal.)
Very good cooks who are employed as 'chefs' rarely refer to themselves as 'chefs.' They refer to themselves as 'cooks.'
No one can make the album they made 10 years ago with a straight face. There are two reasons: one is you change as a person. To be a true artist, I have to be true to who I am now and write that way. And the second thing is these are different times.
I call all chefs 'cooks.' They're all cooks. That's what we do, we cook. You're a chef when you're running a kitchen.
I call all chefs cooks. They're all cooks. That's what we do, we cook. You're a chef when you're running a kitchen.
Nature has poured forth all things for the common use of all men. And God has ordained that all things should be produced that there might be food in common for all, and that the earth should be in the common possession of all. Nature created common rights, but usurpation has transformed them into private rights.
There are two magic acts I want to pull off when I write. One is creating a feeling that when you're inside a book, you believe everything you're reading even when you know it's not true. And the second is an extension of that, which is you know it's not true, you know it's not real, but you believe it anyway. And it's that believing of the story that isn't real that attracted me to writing and storytelling in general.
Young chefs, famous chefs, home cooks, and everyone who loves food and cooking-we all depend on Larousse Gastronomique. It is the only culinary encyclopedia that is always up-to-date.
Habit is a second nature that destroys the first. But what is nature? Why is habit not natural? I am very much afraid that nature itself is only a first habit, just as habit is a second nature.
Modern cookbooks are marketing tools for chefs. They're in the bestseller lists but no one cooks from them.
If speculation tends thus to a terrific unity, in which all things are absorbed, action tends directly back to diversity. The first is the course or gravitation of mind; the second is the power of nature. Nature is manifold. The unity absorbs, and melts or reduces. Nature opens and creates. These two principles reappear and interpenetrate all things, all thought; the one, the many.
Fashion matters to the degree that it is, for the sighted person, the first language we speak to each other. We are... "judge" is a very harsh word, but we're taking in and we're evaluating. Who is this person? What do I have in common? Do I respect them? All of that is that unspoken visual impact.
Two things you should know about me; The first is that I am deeply suspicious of people in general. It is my nature to expect the worst of them. And the second is that I am unexpectedly good with computers.
Things are going to go wrong. The great chefs are the ones that don't let it fluster them. They just move through it.
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