A Quote by Marco Pierre White

I don't like London. I'm not happy here. I don't even own a flat here. — © Marco Pierre White
I don't like London. I'm not happy here. I don't even own a flat here.
Our first flat, in South-West London, was a pig-sty. Dec couldn't even cook baked beans. We were like 'Men Behaving Badly.'
I was brought up in a flat in North London - virtually the last building in London, because north of us was countryside all the way to the coast, and south of us was non-stop London for 20 miles.
I love nature like nothing else. Before I moved to Switzerland, my home was a flat in London with a garden. In those snatched moments away from dance, I did typical weekend things like pruning, planting, and weeding. I planted fruit trees and even had a vegetable garden, but I wasn't around enough, so it was a disaster.
Life was like a batch of biscuits without the baking powder: flat, flat, flat.
I live in a flat in central London. I do like it there; there's always stuff going on. But I do crave a bit of peace and quiet.
You're not going to learn anything if you're not prepared to go flat, so I'm very happy to go flat.
You’re not going to learn anything if you’re not prepared to go flat, so I’m very happy to go flat.
My flat in Ladbroke Grove, west London, is in the best building in the world. It's like a commune - everyone gets on - and on Friday evenings I often cook us all dinner.
In London I have been by turns poor and rich, hopeful and despondent, successful and down and out, utterly miserable and ecstatically, dizzily happy. I belong to London as each of us can belong to only one place on this earth. And, in the same way, London belongs to me.
'Kraken' is set in London and has a lot of London riffs, but I think it's more like slightly dreamlike, slightly abstract London. It's London as a kind of fantasy kingdom.
A flat black bug, that is London.
Even when I'm back home, I find the flat parts of the course tougher. Because it's flat, I feel it more in my knees.
Having a background in doing printmaking and letterpress, I think that I became very interested in images that were flat and graphic. And my painting still today is very flat...American craft is like that too - the painting is very flat. And also the painting that you see on the storefronts, handmade signs, tend to be very flat. That's probably my biggest influence.
I've been smart with my money and own a property in London so I'm very happy, and I've got a nice car.
I start really missing London when I go away. I have a little flat, but very central. I live above a pub and you'd think it'd be a nightmare, but I like hearing the music and it's quite comforting.
Madrid is not as big as London, but it is true when you are coming from a big city like Madrid, nothing is going to surprise you, and I am very happy to move to a city like London. It is a big city, and you can do everything you want with the respect that the English people always have.
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