A Quote by Marco van Basten
If your ankle is damaged and you get another heavy tackle on it the pain is always with you.
Related Quotes
I dance in a three-and-a-half-inch stiletto heel - but it took me a while to get to that level. You really have to be careful not to break your ankle or twist your ankle.
When I was playing college football, they would take the football team to a ballet school. We would learn to do tour jete's to prepare us when you are running in pursuit to tackle a ball carrier and you get hit, or somebody comes from another angle. This way you can spin away from the hit and your foot is out so you can go right into your run - basically, it pushed us toward the tackle. There's a good tweet: "Take ballet - it will push you towards the tackle."
On a 60-mile trek with a 200-kg. bergen on my back, I felt my ankle break. Some might have given up. I broke my other ankle to even up the pain. And carried on.
You go to the draft board and think, 'Here's a nose tackle. Who needs a nose tackle?' Well, eight teams in front of you need a nose tackle, and there's two nose tackles. It's something you have to figure out where you can get the players to play in your system.
When Jack Swagger copies my Ankle Lock and Randy Orton does my Angle Slam, it's disrespectful. I didn't come up with the Ankle Lock; Ken Shamrock came up with the Ankle Lock, but I waited until he retired to do the Ankle Lock.
I just like heavy music in general - from heavy rock and heavy metal and heavy rap and heavy everything. I've always been attracted to it.
Pain is real when you get other people to believe in it. If no one believes in it but you, your pain is madness or hysteria or your own unfeminine inadequacy. Women have learned to submit to pain by hearing authority figures - doctors, priests, psychiatrists - tell us that what we feel is not pain.
Pain has been part of my life. I don't complain about much. When you grow up with six boys, you can't show your pain, and if you do, they'll give you another piece of pain.
Scars are your body's way of healing, making that damaged part stronger than it ever was before the pain.
My body is damaged from music in two ways. I have a red irritation in my stomach. It's psychosomatic, caused by all the anger and the screaming. I have scoliosis, where the curvature of your spine is bent, and the weight of my guitar has made it worse. I'm always in pain, and that adds to the anger in our music.
There is nothing heavier than compassion. Not even one's own pain weighs so heavy as the pain one feels for someone, pain intensified by the imagination and prolonged by a hundred echos.
I wanted to take a damaged individual in a damaged society with damaged relationships between nations and take a look at how this individual survives amongst them, and that for me as a writer is the connection that you needed to get inside the skin of the main character and wonder how he's going to cope with all this.
It was my Old Trafford debut and it lasted about 60 minutes and my left leg and left ankle sort of gave way on me from a tackle from behind.
There are boys so enraptured by love that they can't get their hearts to slow down enough to get some rest, and other boys so damaged by love that they can't stop picking at their pain.
Something I still work on today is ankle flexion—ankle pressure in your boots. There is no way to turn or have your skis carve unless you’re going down the hill leaning forward, and that puts you in a good athletic position to do whatever you want to do on your skis—make quick turns, make long turns, or absorb bumps.
There was a moment in 1996 I had to say: 'I have to try to get healthy.' We made a decision to fuse my ankle. For a sportsman, and I was still only 32, that's the worst choice. But I had to stop the pain.
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