A Quote by Marco Verratti
I want to play differently because I think I have got something, something different, and if one day I let a goal happen that should not have happened then, well, I will take the responsibility for that but I will also continue to play that way.
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See, if you put a musician in a place where he has to do something different from what he does all the time, then he can do that - but he's got to think differently in order to do it. He's got to play above what he knows - far above it. I've always told the musicians in my band to play what they know and then play above that. Because then anything can happen, and that's where great art and music happens.
I think that the Pulitzer Prize is definitely a blessing, but it's also a curse. Because I think that it is a blessing because the work gets more exposure, especially that particular play and then other works of yours too. And then it's a curse because people anticipate that you will write something like you've already written. I think it's really wrong because, you know, I think, as a writer, I'm in a process and I'm somewhere in that process, and I need to continue to develop.
I manage because I have to. Because I've no other way out. Because I've overcome the vanity and pride of being different, I've understood that they are a pitiful defense against being different. Because I've understood that the sun shines differently when something changes. The sun shines differently, but it will continue to shine, and jumping at it with a hoe isn't going to do anything.
I know all the girls; we all have something to play for, we all have this goal, and we're all on the same page as to what we want at the end of the day. But as for me, I have something a little bit more to play for, and that's my kid.
I want to make myself and the crowd happy by way of something different, and that makes things difficult. I'm never playing something that hasn't been released or no one has ever heard before because I care to deliver them what they were hoping to see from me. But also I play four or five songs that will definitely surprise them.
Every player, they should sit down and have a meeting. They should agree, 'this is how we play Nadal, this is how we play Federer, this is how we play Djokovic.' Then, all try to play them the same way. The right way. First you have to play the right way, then you need to play well.
I am looking for movies that are actually about something and that are questioning something. Movies that are provocative in some way and I am also looking for roles that I think will force me to grow or learn something about myself or the world in order to play them well.
In a way, as an actor, you do all the preparation and then you want to forget it and just play the scene. As a director, you can't forget it because somebody will remind you that you forgot something. But you can know your plan well enough that you still have a certain amount of freedom.
It's impossible, when one team and one player is afraid of something that might happen in a match, they will not play well, they will not have 100 per cent confidence.
There's got to be something that you can do that will not just be a nice honor to the play, or the book, or the movie you're dealing with, but some aspect that maybe can explore something that the play couldn't do.
If you want to be a rock star or just be famous, then run down the street naked, you'll make the news or something. But if you want music to be your livelihood, then play, play, play and play! And eventually you'll get to where you want to be.
I am convinced that you should always play the way you want to play and success will then come on its own - as long as it's a good philosophy.
I don't call my music 'gangsta rap.' I call my music reality, something that really happened, something that has really happened, something that will really happen, something that could really happen. It ain't nothing that I'm making up; I think that's why people listen to it.
I just want to play like Jimi Hendrix. I love other forms of music and wish I could play classical piano, or saxophone like John Coltrane, but that will never happen. Because my nature is to play electric guitar really well and to emulate my heroes from the late 1960s.
I may play the same program from one recital to the next, but I will play it differently, and because it is always different, it is always new.
I was talking to my friend and he said his girlfriend was mad at him. I said, "What happened?" He goes: "Well, I guess I, uh... I guess I said something, and, uh... and then she got her feelings hurt." That's a weird way to phrase it: "She got her feelings hurt. I said something, and then she..." Could you more remove yourself from responsibility? "She got her feelings hurt." It's like saying, "Yeah, I shot this guy in the face, and then I guess he got himself murdered. I don't know what happened. He leaned into it."
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