A Quote by Marcus Buckingham

Discover what you don't like doing and stop doing it. — © Marcus Buckingham
Discover what you don't like doing and stop doing it.
If all the people around you are happy with you, you are not doing great work. When you stop being like other people, they stop liking you. That's just how it goes. There's no escaping it. And it's okay. What you need to understand about that disapproval is that it's a sign you're doing something right.
I still enjoy doing music. I'm not going to stop doing it, and doing it the way that I feel it should be done.
Do you like what you're doing/would you do it some more/or will you stop once and wonder what you're doing it for?
Doing collections, doing fashion is like a non-stop dialogue.
I am happy doing standup so I don't ever want to stop doing it. But I wouldn't mind venturing off and doing other things that are creative.
But we acted pre-emptively in Kosovo in 1999 to stop Milosevic from doing what he was doing and increasingly doing the ethnic cleansing in a systematic way.
The films I'm planning and doing are a mix of different things, but it doesn't mean that I'm going to stop doing comedy. That's something I love doing and I can't take that for granted.
I'd be doing all sorts of odd jobs and traveling the world. Let alone if I wasn't an actress, even now if my films stop doing well and people stop liking me, I'd go do odd jobs, like a waitress or something like that and save just about enough to see the world.
New Year's resolutions work like this: you think of something you enjoy doing and then resolve to stop doing it.
You just feel like you're doing a job that you want to be doing, and then one day, somebody asks you a question like that: 'What's it like to be famous?' It doesn't really mean anything. The only difference is some people stop you and ask you for photographs.
When you can't stop what you're doing long enough to improve it, you will never stop what you are doing.
When I realized I could actually make my decisions, it was a very strange feeling. It's like a switch went off in my brain, like, "Oh, then why am I doing this? I don't enjoy this, so I'm just gonna stop doing this."
I try to discover the character's primary motivation. In a screenplay, you can make up a hundred different variables of a character. Is he there for love or respect, or is he there out of fear? What's he doing? Why is he doing it? Then I can build on the intricacies. Does he pick his fingernails? Does he always do this when he's lying? All the little things that come with it. But it's also like, if you're doing a caricature and you're like, "I want to do a blue-collar guy from Jersey," you have to go and do the research on the region, the who, what and why.
I only do this because I'm having fun. The day I stop having fun, I'll just walk away. I wasn't going to have fun doing a teen movie again. I don't want to do this for the rest of my life. I don't. I don't even want to spend the rest of my youth doing this in this industry. There's so much more I want to discover.
For some reason, I always get offered plays when I'm doing plays and then, if I stop doing them, people stop asking me.
Jace, There is no wedding! Stop Isabelle! Sit on her if you have to. Just stop her from doing whatever she's doing or I can never come home. -Alec
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