A Quote by Marcus Luttrell

War's not black and white; it's gray. If you don't fight in the gray area, you're going to lose. — © Marcus Luttrell
War's not black and white; it's gray. If you don't fight in the gray area, you're going to lose.
I’m sure there’s some self-help cheese-ball book about the gray area, but I’ve been having this conversation with my friends who are all about the same age and I’m saying, ‘Y’know, life doesn’t happen in black and white.’ The gray area is where you become an adult the medium temperature, the gray area, the place between black and white. That’s the place where life happens.
I've struggled with gender norms my whole life, always feeling like I wasn't black-and-white; I was in this gray area, and gray areas really scare people because you can't define them.
I believe I live in a black and white. I think things are like either black or white. I don't really believe that much in the gray. I think that there's gray for a lot of people, but I don't live in the gray. I realize whatever action I have or take, it's going to have a consequence -- either good or bad. So I live my life in a way where I don't have bad consequences. I just notice there's a lot people around me just live in the gray. I don't know, for me, I'm just really straightforward.
Gray goes with gold. Gray goes with all colors. I've done gray-and-red paintings, and gray and orange go so well together. It takes a long time to make gray because gray has a little bit of color in it.
In my teens I saw the world in only black and white. Now I know that most things exist in a certain gray area. Though it took a while to get here, I now call this gray area home. I once believed that participating in a capitalist economy would be the death of me, but now realize that agonizing over the political implications of every move I make isn’t exactly living.
...Do you see things in black and white, or are there shades of gray for you?" "I hope there's gray...Black and white make things easier, but only if you don't want to think.
Failure assumes the world is black and white - no gray. I've come to find, it's all gray.
Entertainment came out of this thing called a television, and it was gray. Most of the films that we saw at the cinema were black and white. It was a gray world. And music somehow was in color.
I've tried doing so, for it was never my intention to paint only with gray. But in the course of my work I have eliminated one color after another, and what has remained is gray, gray, gray!
I really see food as subjective. It's a creative outlet. It's something that you do for fun. It's a gray area. It's not black and white or right and wrong.
The gray area, the place between black and white - that's the place where life happens.
When you're biracial, people sort of make you gray - you're not black, you're not white, you're sort of gray; you're 'other.' And I'm fortunate to have parents that were strong enough to say, 'You're not 'other.' You're special.'
A gray flannel suit by Thom Browne or Tom Ford can be worn a billion ways. I'll wear a gray flannel jacket with a white shirt, gray flannel tie, beat-up fatigues, and a dress shoe or Carpe Diem boots.
All of the films that I've made are about the country I live in and grew up in... And I think if you're going to put an artist's eye to it, you're going to put a critical eye to it. I've always been interested in the gray area that exists between the black and white, or the red and blue, and that's where complexity lies.
I grew up in Hong Kong, and London used to seem very gray: the sky was gray, the buildings were gray, the food was incredibly gray - the food had, like, new kinds of grayness specially invented for it.
That's why for Zakk Wylde's Black Label Society the colors are black and white. There are no gray issues. Life is black and it's white. There's no in-between.
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