A Quote by Marcus Luttrell

You have to realize, in real life, the gun battle lasted for over three hours, and the movie's only two hours long. My hat's off to all those stuntmen who laid it on the line and hurt themselves doing what they had to do to get that done because in real life, we all died, and the only reason I'm sitting here is because of modern medicine.
I'm always tempted in the back of my mind to continue to write things in the Star Trek universe, in the novels or the comics, just because I don't get to play in that universe and I don't get to hang out with those characters any more. You spend hours upon hours of your life, day after day sitting in writers' rooms, talking about these people and these situations, and it becomes very real to you. They're friends of yours, in a lot of ways.
Four hours of makeup, and then an hour to take it off. It's tiring. I go in, I get picked up at two-thirty in the morning, I get there at three. I wait four hours, go through it, ready to work at seven, work all day long for twelve hours, and get it taken off for an hours, go home and go to sleep, and do the same thing again.
If you're doing an hour-long show, you're working movie hours, doing a 12-15-hour day. We work three or four hours a day, and get every third or fourth week off to give the writers time to write. It's the cushiest job in Hollywood.
All my cuts are always about three hours, at the start, mainly because any scene in the movie that's 90 seconds, I probably shot a five-minute version of. If you just extrapolate that through the whole movie, I have a very long version of every scene, usually because, if there's one funny joke, I'll shoot five because I don't know if the one I like is going to work. I'll get back-ups because my biggest fear is to be in previews, testing the movie, and a joke doesn't work, but I have no way to fix it because I have no other line.
I love doing television; it's such a brilliant way to tell a story over six hours rather over the two hours of doing a movie.
A movie can evoke feelings, thoughts, it is all there and happening, there is no control over the images when you are watching a movie. You are transported for three hours to a world where you see real people. In a novel it is private - there's only you, and words on pages. The landscape is in your mind and in your feelings.
After making a movie, maybe you weren't able to shoot many of your ideas, because a movie is only 1 1/2 or two hours long, but TV gives you space to film a lot of things.
Golf courses are becoming far too long. Twenty years ago we played three rounds of golf a day and considered we had taken an interminably long time if we took more than two hours to play a round. Today it not infrequently takes over three hours.
When people are not in a prison cell they believe they are free and happy. That's not true. Because in Istanbul, the modern person wakes up at 5 o'clock or 6 o'clock in the morning, gets on the bus for two hours to get to work, works at least ten hours, sometimes twelve or fourteen, then comes back home, just to make some money to pay for rent and food. That's not a human being's life. That's the life of a worm in the earth. That's the life of an insect.
That movie [A Series of Unfortunate Events] told four books in two hours, and we have two hours per book. So we have eight hours to tell four books, and if people watch we'll get to tell more of them. There's only thirteen books, so there's only going to be two more seasons, but that allows for a lot of time to be in character and to maintain character.
There are those who advocate, and those who do. I'm not trying to slight my peers, but there is a difference between using a soapbox and actually getting your hands dirty. I've spent not only years and millions of dollars but hours and hours and hours of my time doing what I do, and that's very different from what anyone else is doing.
The ones [comedies] that I always liked, whether it's Terms of Endearment, Broadcast News, or Fast Times of Ridgemont High, they were all about two hours, or a little bit over two hours. With that extra 15 or 20 minutes, you can get to real character and you're not just stuck in plot.
There are maybe one or two hours a day when I think I can play, but I get over that real quick once I realize the risk and my wife tells me, "Just take a seat."
Spend regularly and constantly two or three hours of the morning in study and retirement. I do not take upon me to prescribe what you shall employ yourself about. I only propose the passing two or three hours of the twenty-four in private.
The key thing is, even if you only have a couple of hours a month, those two hours shoulder-to-shoulder, next to one student, concentrated attention, shining this beam of light on their work, on their thoughts and their self-expression, is going to be absolutely transformative, because so many of the students have not had that ever before.
We also ought to recognize that unpaid labor falls predominantly to women. The other thing I would do in countries like the U.S. is to show more men, even in TV ads, doing household work. Only two percent of ads show men doing chores, and yet we know they actually do several hours of it in real life. Those images affect young boys and girls.
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