A Quote by Marcus Miller

I think jazz is a beautiful, democratic music. It encourages musicians with very strong, and many times, very different points of view to work together as a team while, at the same time, giving them the space to express their individuality. It's a very important art form and can be used as a model for different cultures to work together.
I think the other thing that's important is getting to a place, which very, very rarely happens with improvising groups, where somebody can decide not to play for a while. You watch any group of musicians improvising together and they nearly all play nearly all the time. In fact I often say that the biggest difference between classical music and everything else is that classical musicians sometimes shut up because they're told to, because the score tells them to. Whereas any music that's sort of based on folk or jazz, everybody plays all the time.
I take his [Theodore Geisel] legacy very, very seriously. I know others may disagree because he's made such an impact on so many people that response to work becomes very personal, so people will have different points of view. But, at the core of this, I take the protection and the extension of his legacy very, very seriously. It's a very important part of my life.
I do respect Donald Trump. And I think he has a very strong view in terms of security. And we are very strong allies and we work very closely together in Middle East and in order to fight against terrorism. But we didn't agree on two to three issues, and the very first one was on climate. And what it told me is that I took a commitment vis-à-vis my voters. And I told them it was not good for the U.S. and especially the U.S. workers. I tried to convince them. I do believe that on the mid- to long-run it's not true. And I do believe it's important to have on board the U.S. government.
If I was a young director starting off, there's so many tools at your disposal now to do things relatively inexpensively that it's a great time to learn your chops and do some cool music videos. If I started all over again, I'd still be doing music videos, I'd just be doing them very differently. It's very difficult for me to do them now, but for young kids out there that love music and want to tackle a different art form - and I do think music video is an art form - that's a very cool thing to do.
I am very, very proud I am also Turkish and both of my parents are from Turkey. I was born in Germany and grew up there. By playing football, I learned my different cultures, and that is an advantage if you grow up as a person. You get a different view on certain things. I am very, very thankful I was able to pick the best from many cultures.
I believe very strongly in the value of having a diverse team around me that comes from very different backgrounds and different points of view.
While we may be of different faiths, we have a strong sense of faith, family, community. We hold the values of freedom and human rights very high and I think that those are all a part of a very strong quilt that binds us together.
It was something very beautiful because we all had that interest. We were very close to all of the different groups of the time - the ones that we began to play with in the same venues - Maldita Vecindad, Caifanes, Botellita de Jerez. However, we were all very different, and each group had their unique way of expressing themselves; their own original voice. It was a very beautiful era of Mexican music, and the truth is that we are very fortunate to have been part of it.
It's very interesting to see how the music is used, as sometimes you have composed something with a very different intention, and then suddenly you see it connected to something different. For example, it was incredibly strong and beautiful the first time I saw 'This Is England' by Shane Meadows.
At this market in Tel Aviv, we put together a mezze platter and we had Syrian, Iraqi, Bulgarian, Venezuelan, Iranian, all doing something very different with chicken. All these different cultures had taken the same product and made this fantastic cuisine, it was very exciting.
The most beautiful part is the traveling, and getting to know different cultures and different types of people and to perform in very, very important venues in each country.
I must confess that over my career, I've actually downplayed the importance of DJs. It's such a different art form. Then all of a sudden you try it, and you think, 'Good God, these guys do work.' I used to be very cynical and very blase about it. I can only apologize.
We've had so many lifetimes of different cultures and different religions and different points of view and different wars and different loves and different children.
Each of us has a very rich nature and can look at things objectively, from a distance, and at the same time can have something more personal to say about them. I am trying to look at the world, and at myself, from many different points of view. I think many poets have this duality.
I can't get very excited about a musician who can do Art Tatum because I've got the Art Tatum records. I want to hear him take that and do something that hasn't been done. And there's enough of that going around that keeps the music very exciting. There's so many great young players coming out. I think we're in some kind of renaissance, especially in the rhythm section. I mean the musicians on drums and bass and guitar are really trying to figure out different ways to bring a rhythm section together.
I have a theory that musicians recognize each other and if they are destined to collaborate together they will. Mainly, they recognize each other according to the class they belong to. If they are punk-rocker kids from the neighborhood, they are going form a band. If they happen to be musicians that are going to play in pubs and restaurants, they are going to recognize each other, form a band and play together. If it's about musicians that are playing jazz and are going to jazz festivals, for e.g., then they are going to meet and work together.
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