A Quote by Marcus Pfister

The more he gave away, the more delighted he became. — © Marcus Pfister
The more he gave away, the more delighted he became.
The Rainbow Fish shared his scales left end right. And the more he gave away, the more delighted he became. When the water around him filled with glimmering scales, he at last felt at home among the other fish.
The new midlife is where you realize that even your failures make you more beautiful and are turned spiritually into success if you became a better person because of them. You became a more humble person. You became a more merciful and compassionate person.
Marilyn Monroe gave more to the still camera than any actress, any woman I've ever photographed; infinitely more patient, more demanding of herself and more comfortable in front of the camera than away from it.
When you give away a little piece of your heart, you're giving away the only thing you can give away, which, after you do, you got more left than you had before you gave some of it away.
I thought I'd get over being insecure if I became famous, but it hasn't happened. It just gets worse, really. You get more and more on edge, more nervous. These are all the things I'm dealing with. You think if you get famous, fear will go away and problems will go away. But they don't.
My motivation to keep hiking was rooted in the magnificent details of the Appalachian Mountains, and the more I poured myself out - the more energy I gave the trail - the more it gave me in return.
My writing became more and more minimalist. In the end, I couldn't write at all. For seven or eight years, I hardly wrote. But then I had a revelation. What if I did the opposite? What if, when a sentence or a scene was bad, I expanded it, and poured in more and more? After I started to do that, I became free in my writing.
When I was 13, tennis became more of my life. It's when I gave up skiing, I gave up winter sports. I still played varsity basketball my freshman year of high school - basketball was the last sport I gave up for my tennis.
The early years of Hanna-Barbera were more fun than the later ones. I was working more in the creative areas of timing and direction then. But as the studio grew, I became more involved in administration and got away from the creative aspects.
I'm persistent. In the early '60s, when I first started making the rounds in New York for theater work, I became more and more enraged every time I had an interview or audition that went nowhere, and became more determined. I haven't lost that.
The more and more I got into writing, the harder and harder it became for me. I still love it, but it became much more problematic than I thought it would be.
The more I wrote, the more I became a human being. The writing may have seemed monstrous (to some) for it was a violation, but I became a more human individual because of it. I was getting the poison out of my system.
I didn't think it was my dream to be on Broadway; it just sort of became that, and then it just became me wanting it more and more and more.
As his body became more and more defenseless, so his means of offense became steadily more frightful.
But the more successful I became as an actor, the less control I had. I became more of a puppet, really. It certainly felt like that, at least.
The economic and social problems would tend to become, like the military situation, more and more difficult as time went on and we became more and more isolated.
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